ANGELICA PURPLE GAZELLE in C

Duke Elington(1965)swing
Do Re MiC D E
A
B
C/G
C♯/G
D/G
D♯/G
D/G
C♭/F
C7♭9♯11
C/G
C♯/G
D/G
D♯/G
D/G
C♭/F

Chord Diagrams — ANGELICA PURPLE GAZELLE in C (Guitar)

Display
FingerNoteDegree
C
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Dm
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
C/G
3frEADGBE111234
EADGBEx3215frEADGBE111xx48frEADGBE111342
C♯/G
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
D/G
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
D♯/G
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
B/F
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
Fm6
EADGBE1x234
3frEADGBE11xx326frEADGBE11x3249frEADGBExx2314
Cm6
EADGBE11x324
3frEADGBEx13x247frEADGBE2222x18frEADGBE111234
C7♭9♯11
C - E - G - B♭ - D♭ - F♯

ANGELICA PURPLE GAZELLE in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to G (descending perfect fourth), G to A# (ascending minor third), A# to A (descending half step), A to D (ascending perfect fourth), D to C (descending whole step), C to C# (ascending half step), C# to D (ascending half step), D to D# (ascending half step), D# to Cb (descending minor third), Cb to F# (ascending tritone), F# to F (descending half step), F to C (descending perfect fourth), C to C (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to C by unison.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 42 bars · Form: AB

Chords: C, G7, A♯7, A7, Dm, C/G, C♯/G, D/G, D♯/G, C♭/F, F♯, Fm6, Cm6, C7♭9♯11.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C