Do Re MiC D E

ANGELICA PURPLE GAZELLE

Duke Elington(1965)4/4swing
B/F
A♯/F
A/F
C♭/F
B/F
C/F
%
A7♭9♯11
B/F
A♯/F
A/F
C♭/F
B/F
C/F

Chord Diagrams — ANGELICA PURPLE GAZELLE in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
Bm
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
B/F
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
A♯/F
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
A/F
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
B/F
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
C/F
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
Dm6
3frEADGBE11x324
EADGBExx21
5frEADGBEx13x24
9frEADGBE2x1333
Am6
4frEADGBE2x1334
EADGBEx2314
5frEADGBE111234
7frEADGBE111x32
A7♭9♯11
A - C♯ - E - G - B♭ - D♯

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ANGELICA PURPLE GAZELLE in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to F# (ascending whole step), F# to G (ascending half step), G to B (ascending major third), B to B (ascending unison), B to A# (descending half step), A# to A (descending half step), A to Cb (ascending minor third), Cb to C (ascending unison), C to D# (ascending minor third), D# to D (descending half step), D to A (descending perfect fourth), A to A (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 42 bars · Form: AB

Chords: A, E7, F♯7, G7, Bm, B/F, A♯/F, A/F, C♭/F, C/F, D♯, Dm6, Am6, A7♭9♯11.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A