ANGELICA PURPLE GAZELLE in A

Duke Elington(1965)swing
Do Re MiC D E
A
B
A/E
A♯/E
B/E
C/E
B/E
C♭/F
A7♭9♯11
A/E
A♯/E
B/E
C/E
B/E
C♭/F

Chord Diagrams — ANGELICA PURPLE GAZELLE in A (Guitar)

Display
FingerNoteDegree
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
A/E
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
A♯/E
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
B/E
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
C/E
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
B/F
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
Dm6
EADGBExx21
3frEADGBE11x3245frEADGBEx13x249frEADGBE2222x1
Am6
EADGBEx2314
4frEADGBE2222x15frEADGBE1112347frEADGBE111x32
A7♭9♯11
A - C♯ - E - G - B♭ - D♯

ANGELICA PURPLE GAZELLE in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to G (ascending minor third), G to F# (descending half step), F# to B (ascending perfect fourth), B to A (descending whole step), A to A# (ascending half step), A# to B (ascending half step), B to C (ascending half step), C to Cb (ascending unison), Cb to D# (ascending minor third), D# to D (descending half step), D to A (descending perfect fourth), A to A (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 42 bars · Form: AB

Chords: A, E7, G7, F♯7, Bm, A/E, A♯/E, B/E, C/E, C♭/F, D♯, Dm6, Am6, A7♭9♯11.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A