Do Re MiC D E

A Time For Love

Johnny Mande / Paul Francis Webster(1966)4/4ballad

Chord Diagrams — A Time For Love in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯Maj7
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
C♯7♭5/B♭
4frEADGBE11x23x
EADGBEx431
8frEADGBE2x341x
12frEADGBExx1234
F7♭5
3frEADGBExx1234
EADGBE1243
6frEADGBExx2413
8frEADGBE11x23x
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
G♯Maj7/B♭
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
Dm/D
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
G7♭9
EADGBE11324
EADGBE111x23
4frEADGBE11xx23
9frEADGBE11x234
Dm7♭5
EADGBE111xx
3frEADGBE11x342
5frEADGBEx1324x
8frEADGBEx1432
Cm
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
C♯7♭5/G♭
EADGBEx431
4frEADGBE11x23x
8frEADGBE2x341x
12frEADGBExx1234
D♯69/F
EADGBE1111x2
EADGBExx234
5frEADGBE11x234
10frEADGBE111234
F7♭9
EADGBE11xx23
EADGBE111423
7frEADGBE11x234
11frEADGBE3241xx
G7♯9
EADGBE3241
3frEADGBE114432
4frEADGBE44x231
9frEADGBEx2134x
Dm7♭5/D
EADGBE111xx
3frEADGBE11x342
5frEADGBEx1324x
8frEADGBEx1432
D7♯9
4frEADGBEx2134x
7frEADGBE412
7frEADGBE111x23
10frEADGBE111324
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Gm
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
A♯mMaj7
EADGBE11x423
6frEADGBE111132
8frEADGBE11x342
10frEADGBE11x42x
Cm6
EADGBE11x324
3frEADGBEx13x24
7frEADGBE2x1334
8frEADGBE111234
D7♭5
EADGBE11xx2
3frEADGBExx2413
5frEADGBE11x23x
9frEADGBE2x341x
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
Am7♭5
EADGBEx23x
4frEADGBE2x341x
5frEADGBE111234
7frEADGBE222xx1
Am7
EADGBEx21
EADGBEx2314
5frEADGBE111113
7frEADGBE11x423
Em
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx
GMaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
A♯7♯5
EADGBE11x432
6frEADGBE1x234x
8frEADGBExx1423
12frEADGBEx213x4
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
Dm
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
A♯7♭9
EADGBEx123
4frEADGBE3241xx
6frEADGBE111x23
12frEADGBE11x234
Fm/F
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
D♯69
EADGBExx234
EADGBE1111x2
5frEADGBE11x234
10frEADGBE111234

Explore More

A Time For Love in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to C# (descending whole step), C# to F (ascending major third), F to F (ascending unison), F to G# (ascending minor third), G# to G (descending half step), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to C (descending whole step), C to C# (ascending half step), C# to D# (ascending whole step), D# to F (ascending whole step), F to G (ascending whole step), G to D (descending perfect fourth), D to D (ascending unison), D to A# (descending major third), A# to G (descending minor third), G to A# (ascending minor third), A# to A# (ascending unison), A# to C (ascending whole step), C to D (ascending whole step), D to D (ascending unison), D to A (descending perfect fourth), A to A (ascending unison), A to E (descending perfect fourth), E to G (ascending minor third), G to A# (ascending minor third), A# to A# (ascending unison), A# to D (ascending major third), D to A# (descending major third), A# to F (descending perfect fourth), F to D# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from D# to D# by unison.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 39 bars · Form: A

Chords: D♯Maj7, C♯7♭5/B♭, F7♭5, Fm, G♯Maj7/B♭, G7, Dm/D, G7♭9, Dm7♭5, Cm, C♯7♭5/G♭, D♯69/F, F7♭9, G7♯9, Dm7♭5/D, D7♯9, A♯, Gm, A♯m7, A♯mMaj7, Cm6, D7♭5, D7, Am7♭5, Am7, Em, GMaj7, A♯7♯5, A♯7, Dm, A♯7♭9, Fm/F, D♯69.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#