Do Re MiC D E

A Time For Love

Johnny Mande / Paul Francis Webster(1966)4/4ballad

Chord Diagrams — A Time For Love in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯Maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
B7♭5/B♭
EADGBEx1213x
EADGBEx3142
6frEADGBE2x341x
9frEADGBExx1234
D♯7♭5
EADGBExx1234
4frEADGBExx2413
6frEADGBE111x23
10frEADGBE2x341x
D♯m
EADGBExx1342
EADGBExx3241
6frEADGBE111342
11frEADGBE111134
F♯Maj7/B♭
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
Cm/D
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
F7♭9
EADGBE111423
EADGBE11xx23
7frEADGBE11x234
11frEADGBE3241xx
Cm7♭5
EADGBEx1324x
4frEADGBE11xx24
8frEADGBE111234
10frEADGBE333xx1
A♯m
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
B7♭5/G♭
EADGBEx3142
EADGBEx1213x
6frEADGBE2x341x
9frEADGBExx1234
C♯69/F
EADGBE11x432
EADGBE11x234
8frEADGBE111234
10frEADGBExx2134
D♯7♭9
EADGBExx24
5frEADGBE11x234
6frEADGBE11x34
9frEADGBE3241xx
F7♯9
EADGBE111324
EADGBExx2134
7frEADGBEx2134x
10frEADGBE111x23
Cm7♭5/D
EADGBEx1324x
4frEADGBE11xx24
8frEADGBE111234
10frEADGBE333xx1
C7♯9
3frEADGBE11x32
EADGBEx2134x
8frEADGBE111324
9frEADGBExx2134
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
G♯mMaj7
4frEADGBE111132
EADGBE11x243
6frEADGBE11x342
11frEADGBE11x423
A♯m6
3frEADGBEx2314x
EADGBEx13x24
5frEADGBE2x1334
6frEADGBE111234
C7♭5
3frEADGBE11x23x
EADGBExx2413
7frEADGBE2x341
10frEADGBExx1234
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
Gm7♭5
EADGBE2x341x
EADGBE3xx421
5frEADGBE222xx1
10frEADGBEx1324x
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Dm
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
FMaj7
EADGBExx321
EADGBE111423
3frEADGBE11x333
8frEADGBE111324
G♯7♯5
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
Cm
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
G♯7♭9
4frEADGBE11xx23
EADGBE111x2
5frEADGBE11xx23
10frEADGBE11x234
D♯m/F
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
C♯69
EADGBE11x234
EADGBE11x432
8frEADGBE111234
10frEADGBExx2134

Explore More

A Time For Love in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to B (descending whole step), B to D# (ascending major third), D# to D# (ascending unison), D# to F# (ascending minor third), F# to F (descending half step), F to C (descending perfect fourth), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to A# (descending whole step), A# to B (ascending half step), B to C# (ascending whole step), C# to D# (ascending whole step), D# to F (ascending whole step), F to C (descending perfect fourth), C to C (ascending unison), C to G# (descending major third), G# to F (descending minor third), F to G# (ascending minor third), G# to G# (ascending unison), G# to A# (ascending whole step), A# to C (ascending whole step), C to C (ascending unison), C to G (descending perfect fourth), G to G (ascending unison), G to D (descending perfect fourth), D to F (ascending minor third), F to G# (ascending minor third), G# to G# (ascending unison), G# to C (ascending major third), C to G# (descending major third), G# to D# (descending perfect fourth), D# to C# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from C# to C# by unison.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 39 bars · Form: A

Chords: C♯Maj7, B7♭5/B♭, D♯7♭5, D♯m, F♯Maj7/B♭, F7, Cm/D, F7♭9, Cm7♭5, A♯m, B7♭5/G♭, C♯69/F, D♯7♭9, F7♯9, Cm7♭5/D, C7♯9, G♯, Fm, G♯m7, G♯mMaj7, A♯m6, C7♭5, C7, Gm7♭5, Gm7, Dm, FMaj7, G♯7♯5, G♯7, Cm, G♯7♭9, D♯m/F, C♯69.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#