Do Re MiC D E

A Time For Love

Johnny Mande / Paul Francis Webster(1966)4/4ballad

Chord Diagrams — A Time For Love in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
AMaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
G7♭5/B♭
5frEADGBExx1234
EADGBE2x341x
9frEADGBEx3142
10frEADGBE11x23x
B7♭5
6frEADGBE2x341x
EADGBEx3142
EADGBEx1213x
9frEADGBExx1234
Bm
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
DMaj7/B♭
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
G♯m/D
6frEADGBExx1342
4frEADGBE111134
7frEADGBExx3241
11frEADGBE111342
C♯7♭9
7frEADGBE3241x
EADGBE11x234
4frEADGBEx1234
9frEADGBExx1324
G♯m7♭5
6frEADGBE222xx1
EADGBExx13
EADGBE2x341x
11frEADGBEx1324x
F♯m
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
G7♭5/G♭
5frEADGBExx1234
EADGBE2x341x
9frEADGBEx3142
10frEADGBE11x23x
A69/F
6frEADGBEx22134
EADGBE11x34
4frEADGBE111234
11frEADGBE11x234
B7♭9
5frEADGBE3241xx
EADGBE11x234
7frEADGBE111x23
8frEADGBE11xx23
C♯7♯9
3frEADGBEx2134x
EADGBEx3241
8frEADGBE2222x1
9frEADGBE111324
G♯m7♭5/D
EADGBE2x341x
EADGBExx13
6frEADGBE222xx1
11frEADGBEx1324x
G♯7♯9
EADGBE213334
4frEADGBE114432
5frEADGBE44xx31
10frEADGBEx2134x
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
EmMaj7
EADGBE11342
EADGBE21
4frEADGBE11x42x
7frEADGBE111423
F♯m6
EADGBE2x1334
4frEADGBE111x32
7frEADGBE11x324
8frEADGBEx2413x
G♯7♭5
3frEADGBE2x341x
6frEADGBExx1234
9frEADGBE11x243
11frEADGBE11x23x
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
A♯m
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
C♯Maj7
6frEADGBE11xxx3
EADGBE111x43
4frEADGBE111324
9frEADGBE1x342x
E7♯5
7frEADGBE11x432
EADGBE412
2frEADGBExx1423
12frEADGBE1x234x
E7
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
G♯m
6frEADGBExx1342
4frEADGBE111134
7frEADGBExx3241
11frEADGBE111342
E7♭9
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
Bm/F
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
A69
6frEADGBEx22134
EADGBE11x34
4frEADGBE111234
11frEADGBE11x234

Explore More

A Time For Love in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G (descending whole step), G to B (ascending major third), B to B (ascending unison), B to D (ascending minor third), D to C# (descending half step), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to G (ascending half step), G to A (ascending whole step), A to B (ascending whole step), B to C# (ascending whole step), C# to G# (descending perfect fourth), G# to G# (ascending unison), G# to E (descending major third), E to C# (descending minor third), C# to E (ascending minor third), E to E (ascending unison), E to F# (ascending whole step), F# to G# (ascending whole step), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to C# (ascending minor third), C# to E (ascending minor third), E to E (ascending unison), E to G# (ascending major third), G# to E (descending major third), E to B (descending perfect fourth), B to A (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 39 bars · Form: A

Chords: AMaj7, G7♭5/B♭, B7♭5, Bm, DMaj7/B♭, C♯7, G♯m/D, C♯7♭9, G♯m7♭5, F♯m, G7♭5/G♭, A69/F, B7♭9, C♯7♯9, G♯m7♭5/D, G♯7♯9, E, C♯m, Em7, EmMaj7, F♯m6, G♯7♭5, G♯7, D♯m7♭5, D♯m7, A♯m, C♯Maj7, E7♯5, E7, G♯m, E7♭9, Bm/F, A69.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A