G balinese scale diatonic chords
G balinese scale seventh chords
scale
Fretboard diagram
G balinese scale — chords and intervals
Harmonizing the G balinese scale yields a dark, meditative chord set from the Gamelan tradition. The chords of G balinese are G minor, Ab major, Bb augmented, C minor, D unknown, Eb major, Ab unknown. These chords create a shimmering, Southeast Asian harmonic world that feels ancient and spiritual. Use them for cultural scoring or to add a haunting, non-Western harmonic flavor to contemporary music. Commonly used in Gamelan, World, Ambient, Film Scores. Notable players include Colin McPhee, Steve Reich.
The G balinese scale has the following degrees: 1 ♭2 ♭3 4 5 ♭6 7.
Intervals: H-W-W-W-H-3H-H.
Diatonic chords: G minor, Ab major, Bb augmented, C minor, D unknown, Eb major, Ab unknown.
| Degrees | Chord |
|---|---|
| I | G minor |
| ii | Ab major |
| iii | Bb augmented |
| IV | C minor |
| V | D unknown |
| vi | Eb major |
| vii° | Ab unknown |
Degree-by-Degree Analysis
The I chord (G minor) is the tonic — the gravitational center of the key. The ii chord (Ab major) is the minor subdominant, commonly used to approach the V chord. The iii chord (Bb augmented) functions as a substitute for the I or vi. The IV chord (C minor) is the subdominant — it adds motion and moderate tension. The V chord (D unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Eb major) is the relative minor — it brings emotional color and depth. The vii° chord (Ab unknown) is the diminished — the most tense, rarely used alone, usually leading to the I.
This page focuses on the harmonic content — the chords built from each degree of the G balinese scale. For fretboard patterns and fingering guides, see the scale page.
Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G balinese scale on guitar.
Related Scales
How to Use This Scale
Use over drones and sustained bass notes. Traditional Gamelan music doesn't use chords — the scale is inherently melodic and interlocking.