C balinese scale diatonic chords
C balinese scale seventh chords
scale
Fretboard diagram
C balinese scale — chords and intervals
Harmonizing the C balinese scale yields a dark, meditative chord set from the Gamelan tradition. The chords of C balinese are C minor, Db major, Eb augmented, F minor, G unknown, Ab major, Db unknown. These chords create a shimmering, Southeast Asian harmonic world that feels ancient and spiritual. Use them for cultural scoring or to add a haunting, non-Western harmonic flavor to contemporary music. Commonly used in Gamelan, World, Ambient, Film Scores. Notable players include Colin McPhee, Steve Reich.
The C balinese scale has the following degrees: 1 ♭2 ♭3 4 5 ♭6 7.
Intervals: H-W-W-W-H-3H-H.
Diatonic chords: C minor, Db major, Eb augmented, F minor, G unknown, Ab major, Db unknown.
| Degrees | Chord |
|---|---|
| I | C minor |
| ii | Db major |
| iii | Eb augmented |
| IV | F minor |
| V | G unknown |
| vi | Ab major |
| vii° | Db unknown |
Degree-by-Degree Analysis
The I chord (C minor) is the tonic — the gravitational center of the key. The ii chord (Db major) is the minor subdominant, commonly used to approach the V chord. The iii chord (Eb augmented) functions as a substitute for the I or vi. The IV chord (F minor) is the subdominant — it adds motion and moderate tension. The V chord (G unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Ab major) is the relative minor — it brings emotional color and depth. The vii° chord (Db unknown) is the diminished — the most tense, rarely used alone, usually leading to the I.
This page focuses on the harmonic content — the chords built from each degree of the C balinese scale. For fretboard patterns and fingering guides, see the scale page.
Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the C balinese scale on guitar.
Related Scales
How to Use This Scale
Use over drones and sustained bass notes. Traditional Gamelan music doesn't use chords — the scale is inherently melodic and interlocking.