B balinese scale diatonic chords
B balinese scale seventh chords
scale
Fretboard diagram
B balinese scale — chords and intervals
Harmonizing the B balinese scale yields a dark, meditative chord set from the Gamelan tradition. The chords of B balinese are B minor, C major, D augmented, E minor, F# unknown, G major, C unknown. These chords create a shimmering, Southeast Asian harmonic world that feels ancient and spiritual. Use them for cultural scoring or to add a haunting, non-Western harmonic flavor to contemporary music. Commonly used in Gamelan, World, Ambient, Film Scores. Notable players include Colin McPhee, Steve Reich.
The B balinese scale has the following degrees: 1 ♭2 ♭3 4 5 ♭6 7.
Intervals: H-W-W-W-H-3H-H.
Diatonic chords: B minor, C major, D augmented, E minor, F# unknown, G major, C unknown.
| Degrees | Chord |
|---|---|
| I | B minor |
| ii | C major |
| iii | D augmented |
| IV | E minor |
| V | F# unknown |
| vi | G major |
| vii° | C unknown |
Degree-by-Degree Analysis
The I chord (B minor) is the tonic — the gravitational center of the key. The ii chord (C major) is the minor subdominant, commonly used to approach the V chord. The iii chord (D augmented) functions as a substitute for the I or vi. The IV chord (E minor) is the subdominant — it adds motion and moderate tension. The V chord (F# unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (G major) is the relative minor — it brings emotional color and depth. The vii° chord (C unknown) is the diminished — the most tense, rarely used alone, usually leading to the I.
This page focuses on the harmonic content — the chords built from each degree of the B balinese scale. For fretboard patterns and fingering guides, see the scale page.
Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B balinese scale on guitar.
Related Scales
How to Use This Scale
Use over drones and sustained bass notes. Traditional Gamelan music doesn't use chords — the scale is inherently melodic and interlocking.