La Taranta (Free Rhythm)

iv – III – II – I progression in La minor

Do Re MiC D E
Harmony
OriginalPass Chords
ivRem
IIIDo
IISi♭
ILa

Triad Diagrams — La Taranta (Free Rhythm) (Guitar)

Display
FingerNoteDegree

La Taranta (Free Rhythm)iv – III – II – I

Mining style from Almeria in F# Phrygian. Free rhythm (ad libitum). The cadencia andaluza Bm-A-G-F# uses characteristic added-sixth chords (A6, G6) and the tonic resolves to F#7sus4(b9). Shares the dual modal/tonal character of all fandango derivatives.

Playing in La minor

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to C (descending whole step), C to Bb (descending whole step), Bb to A (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to D by perfect fourth.

Capo Transposition

To play in A using familiar open chords: capo 2 with open G shapes; capo 5 with open E shapes; capo 7 with open D shapes. Choose the capo position that gives you the voicings you prefer — lower capo positions produce a fuller sound, while higher positions create a brighter, mandolin-like timbre.

Scales for Soloing

A minor pentatonic is your safest starting point because all five notes are chord tones or stable tensions within the natural minor harmony. When a dominant seventh chord appears, switch briefly to A Dorian or harmonic minor to capture the raised 6th or 7th that the chord implies.

Strumming Pattern

Use D-DU-UDU at 100-120 BPM for a standard pop strum. Accent beats 2 and 4 for a backbeat feel. Vary dynamics between verse (lighter) and chorus (stronger) to build energy.

FlamencoTension & Dramalibre · 4 bars

Chords (triads): Rem, Do, Si♭, La.

Chords (7th): Rem7, Do7, Si♭7, La7.

Famous songs using this progression

  • Tarantas – Sabicas
  • Tarantas – Nino Ricardo