Si Taranta (Free Rhythm)

Si Taranta (Free Rhythm) — iv – III – II – I

Mining style from Almeria in F# Phrygian. Free rhythm (ad libitum). The cadencia andaluza Bm-A-G-F# uses characteristic added-sixth chords (A6, G6) and the tonic resolves to F#7sus4(b9). Shares the dual modal/tonal character of all fandango derivatives.

Playing in Si minor

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through E to D (descending whole step), D to C (descending whole step), C to B (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to E by perfect fourth.

Capo Transposition

To play in B using familiar open chords: capo 2 with open A shapes; capo 4 with open G shapes; capo 7 with open E shapes. Choose the capo position that gives you the voicings you prefer — lower capo positions produce a fuller sound, while higher positions create a brighter, mandolin-like timbre.

Scales for Soloing

B minor pentatonic is your safest starting point because all five notes are chord tones or stable tensions within the natural minor harmony. When a dominant seventh chord appears, switch briefly to B Dorian or harmonic minor to capture the raised 6th or 7th that the chord implies.

Strumming Pattern

Use D-DU-UDU at 100-120 BPM for a standard pop strum. Accent beats 2 and 4 for a backbeat feel. Vary dynamics between verse (lighter) and chorus (stronger) to build energy.