Do Re MiC D E

Vera Cruz

Nascimento Milton4/4bossa-nova
Amaj9♯11
C/G
G/G
F♯sus4/G
Em69
Cmaj9
%
G13
Cmaj9
Em69
Cmaj9
%
G13
Cmaj9
Fmaj7/E♭
F♯7/E
A♯7♯9♯5
B7♭9♯11
Em69
Cmaj9
%
G13
Cmaj9
Em69
Cmaj9
%
G13
Cmaj9

Chord Diagrams — Vera Cruz in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em9
5frEADGBEx21344
EADGBE24
EADGBE1243
10frEADGBE11324
Gm9
6frEADGBE11xx2
EADGBE2341
3frEADGBE111134
8frEADGBEx21344
F♯m9
7frEADGBEx21344
EADGBE2314
EADGBE111123
10frEADGBExx2413
Fm9
6frEADGBEx21344
EADGBE111134
EADGBEx1234
11frEADGBE21344
D♯m9
7frEADGBExx2413
4frEADGBEx21344
9frEADGBEx13244
11frEADGBE111134
Amaj9♯11
9frEADGBE11x423
EADGBEx2134
4frEADGBE111123
6frEADGBE11x34
C/G
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
G/G
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243
F♯sus4/G
9frEADGBE111234
EADGBE111234
4frEADGBE11x234
11frEADGBE11xx24
Bm7
9frEADGBE11x423
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
Em69
10frEADGBE1234
EADGBE1111
EADGBE1112x3
5frEADGBEx31244
EmMaj7
7frEADGBE111423
EADGBE21
EADGBE11342
4frEADGBE11x42x
Cmaj9
8frEADGBE11x234
EADGBEx3
EADGBE22143x
5frEADGBE11113
Bm9
7frEADGBE111134
EADGBEx1234
3frEADGBE222x14
10frEADGBE112234
Am9
8frEADGBE132
EADGBEx2413
5frEADGBE111134
10frEADGBEx21344
G♯m9
7frEADGBE221341
EADGBE11143
4frEADGBE111134
9frEADGBEx21344
G13
9frEADGBEx21334
EADGBE321
3frEADGBE11x234
3frEADGBE111324
Em7
8frEADGBExx2314
EADGBE2
EADGBE11423
7frEADGBE111132
Em6
8frEADGBExx2314
EADGBE123
EADGBE11132
5frEADGBE11x324
Em
7frEADGBE111342
EADGBE23
2frEADGBE11342
9frEADGBE4312xx
Fmaj7/E♭
8frEADGBE111324
EADGBExx321
EADGBE111423
3frEADGBE11x333
F♯7/E
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
A♯7♯9♯5
A♯ - D - E♯# - G♯ - B♯#
B7♭9♯11
B - D♯ - F♯ - A - C - F

Explore More

Vera Cruz in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to G (ascending minor third), G to F# (descending half step), F# to F (descending half step), F to D# (descending whole step), D# to A (ascending tritone), A to C (ascending minor third), C to G (descending perfect fourth), G to F# (descending half step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to C (descending major third), C to B (descending half step), B to A (descending whole step), A to G# (descending half step), G# to G (descending half step), G to E (descending minor third), E to E (ascending unison), E to E (ascending unison), E to F (ascending half step), F to F# (ascending half step), F# to A# (ascending major third), A# to B (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 77 bars · Form: AB

Chords: Em9, Gm9, F♯m9, Fm9, D♯m9, Amaj9♯11, C/G, G/G, F♯sus4/G, Bm7, Em69, EmMaj7, Cmaj9, Bm9, Am9, G♯m9, G13, Em7, Em6, Em, Fmaj7/E♭, F♯7/E, A♯7♯9♯5, B7♭9♯11.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E