Do Re MiC D E

Vera Cruz

Nascimento Milton4/4bossa-nova
Gmaj9♯11
A♯/G
F/G
Esus4/G
Dm69
A♯maj9
%
F13
A♯maj9
Dm69
A♯maj9
%
F13
A♯maj9
D♯maj7/E♭
E7/E
G♯7♯9♯5
A7♭9♯11
Dm69
A♯maj9
%
F13
A♯maj9
Dm69
A♯maj9
%
F13
A♯maj9

Chord Diagrams — Vera Cruz in D (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Dm9
3frEADGBEx21344
EADGBE132
5frEADGBEx1423
10frEADGBE111134
Fm9
EADGBEx1234
EADGBE111134
6frEADGBEx21344
11frEADGBE21344
Em9
EADGBE1243
EADGBE24
5frEADGBEx21344
10frEADGBE11324
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
C♯m9
5frEADGBE222x14
EADGBEx21344
7frEADGBEx13244
9frEADGBE111134
Gmaj9♯11
3frEADGBE111234
EADGBE111133
7frEADGBE11x423
10frEADGBE11x234
A♯/G
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
F/G
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
Esus4/G
2frEADGBE11234
EADGBE234
7frEADGBE111234
9frEADGBE11xx2
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
Dm69
2frEADGBEx421
3frEADGBEx3124
6frEADGBEx2314
10frEADGBEx22134
DmMaj7
2frEADGBE11x42
EADGBExx231
5frEADGBE111423
10frEADGBE111132
A♯maj9
3frEADGBE111143
EADGBE1113x
5frEADGBE11243x
6frEADGBE112234
Am9
EADGBEx2413
5frEADGBE111134
8frEADGBE132
10frEADGBEx21344
Gm9
EADGBE2341
3frEADGBE111134
6frEADGBE11xx2
8frEADGBEx21344
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
Dm6
EADGBExx21
3frEADGBE11x324
5frEADGBEx13x24
9frEADGBE2x1333
Dm
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
D♯maj7/E♭
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
8frEADGBE111xx4
E7/E
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
G♯7♯9♯5
G♯ - C - E - F♯ - B
A7♭9♯11
A - C♯ - E - G - B♭ - D♯

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Vera Cruz in D

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to F (ascending minor third), F to E (descending half step), E to D# (descending half step), D# to C# (descending whole step), C# to G (ascending tritone), G to A# (ascending minor third), A# to F (descending perfect fourth), F to E (descending half step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to A# (descending major third), A# to A (descending half step), A to G (descending whole step), G to F# (descending half step), F# to F (descending half step), F to D (descending minor third), D to D (ascending unison), D to D (ascending unison), D to D# (ascending half step), D# to E (ascending half step), E to G# (ascending major third), G# to A (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to D by perfect fourth.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 77 bars · Form: AB

Chords: Dm9, Fm9, Em9, D♯m9, C♯m9, Gmaj9♯11, A♯/G, F/G, Esus4/G, Am7, Dm69, DmMaj7, A♯maj9, Am9, Gm9, F♯m9, F13, Dm7, Dm6, Dm, D♯maj7/E♭, E7/E, G♯7♯9♯5, A7♭9♯11.

Scales for Improvisation D bebop minor, D bebop.

Diatonic chords: See all chords in the key of D