Explore More
Vera Cruz in B
Key of B
B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.
Voice Leading
The bass line moves through B to D (ascending minor third), D to C# (descending half step), C# to C (descending half step), C to A# (descending whole step), A# to E (ascending tritone), E to G (ascending minor third), G to D (descending perfect fourth), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to G (descending major third), G to F# (descending half step), F# to E (descending whole step), E to D# (descending half step), D# to D (descending half step), D to B (descending minor third), B to B (ascending unison), B to B (ascending unison), B to C (ascending half step), C to C# (ascending half step), C# to F (ascending major third), F to F# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to B by perfect fourth.
Scales for Improvisation
B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.