Do Re MiC D E

Tristeza

Haroldo Lobo - Niltinho4/4samba
%
B13♭9
B7♯5
E9sus4
E7♭9♯5
A13
A7♯5
D9sus4
%
B13♭9
B7♯5
E9sus4
E7♭9♯5
A13
A7♯5
D9sus4
D13
%
Em/D
F/E
%
%
%
%
B13♭9
B7♯5
E9sus4
E7♭9♯5
A13
A7♯5
D9sus4

Chord Diagrams — Tristeza in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
C6
3frEADGBE3333x1
EADGBEx4231
7frEADGBE2x143x
8frEADGBE11x324
Cm6
3frEADGBEx13x24
EADGBE11x324
7frEADGBE2x1334
8frEADGBE111234
B13♭9
4frEADGBE111432
EADGBE44x213
EADGBE111134
7frEADGBE111234
B7♯5
2frEADGBEx213
EADGBEx2134
7frEADGBE1x234x
9frEADGBExx1423
E9sus4
E - A - B - D - F♯
E7♭9♯5
E - G♯ - C - D - F
A13
3frEADGBE4231
EADGBEx123
5frEADGBE111324
11frEADGBE44x213
A7♯5
EADGBE11x23
EADGBEx321
5frEADGBE11x23
7frEADGBExx1423
D9sus4
D - G - A - C - E
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
Gmaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
D13
EADGBExx412
5frEADGBE111134
8frEADGBE4231
10frEADGBE1x234x
G
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
Gaug
EADGBE321x
3frEADGBE1x423x
4frEADGBE11xx2x
8frEADGBE11x32x
Em/D
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx
Am
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
F/E
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
Am6
EADGBEx2314
4frEADGBE2x1334
5frEADGBE111234
7frEADGBE111x32
Am7
EADGBEx21
EADGBEx2314
5frEADGBE111113
7frEADGBE11x423
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423

Explore More

Tristeza in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to C (ascending unison), C to C (ascending unison), C to B (descending half step), B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to G (ascending unison), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison), G to E (descending minor third), E to A (ascending perfect fourth), A to F (descending major third), F to A (ascending major third), A to A (ascending unison), A to B (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to C by half step.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 58 bars · Form: ABC

Chords: Cmaj7, C6, Cm6, B13♭9, B7♯5, E9sus4, E7♭9♯5, A13, A7♯5, D9sus4, D7, Gmaj7, G7, D13, G, Gaug, Em/D, Am, F/E, Am6, Am7, Bm7.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G