Do Re MiC D E

Tristeza

Haroldo Lobo - Niltinho4/4samba
%
F♯13♭9
F♯7♯5
B9sus4
B7♭9♯5
E13
E7♯5
A9sus4
%
F♯13♭9
F♯7♯5
B9sus4
B7♭9♯5
E13
E7♯5
A9sus4
A13
%
Bm/D
C/E
%
%
%
%
F♯13♭9
F♯7♯5
B9sus4
B7♭9♯5
E13
E7♯5
A9sus4

Chord Diagrams — Tristeza in D (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
G6
5frEADGBE111x34
EADGBE21
EADGBE2x143x
10frEADGBE3333x1
Gm6
5frEADGBE111x32
EADGBE2x1344
3frEADGBE111234
8frEADGBE11x324
F♯13♭9
7frEADGBEx4231
EADGBE2314
EADGBE111234
9frEADGBE111134
F♯7♯5
7frEADGBEx4312
EADGBE1x234x
4frEADGBExx1423
9frEADGBE11x432
B9sus4
B - E - F♯ - A - C♯
B7♭9♯5
B - D♯ - G - A - C
E13
7frEADGBE111134
EADGBE213
EADGBE123
5frEADGBE1342
E7♯5
7frEADGBE11x432
EADGBE412
2frEADGBExx1423
12frEADGBE1x234x
A9sus4
A - D - E - G - B
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
Dmaj7
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
A13
5frEADGBE111324
EADGBEx123
3frEADGBE4231
11frEADGBE44x213
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
Daug
7frEADGBE11432x
EADGBExx231
3frEADGBE11x32x
10frEADGBE1x423x
Bm/D
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
Em
7frEADGBE111342
EADGBE23
2frEADGBE11342
9frEADGBE4312xx
C/E
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
Em6
8frEADGBExx2314
EADGBE123
EADGBE11132
5frEADGBE11x324
Em7
8frEADGBExx2314
EADGBE2
EADGBE11423
7frEADGBE111132
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314

Explore More

Tristeza in D

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to G (ascending unison), G to G (ascending unison), G to F# (descending half step), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to B (descending minor third), B to E (ascending perfect fourth), E to C (descending major third), C to E (ascending major third), E to E (ascending unison), E to F# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to G by half step.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 58 bars · Form: ABC

Chords: Gmaj7, G6, Gm6, F♯13♭9, F♯7♯5, B9sus4, B7♭9♯5, E13, E7♯5, A9sus4, A7, Dmaj7, D7, A13, D, Daug, Bm/D, Em, C/E, Em6, Em7, F♯m7.

Scales for Improvisation D bebop, D bebop major.

Diatonic chords: See all chords in the key of D