Do Re MiC D E

Tristeza

Haroldo Lobo - Niltinho4/4samba
%
C13♭9
C7♯5
F9sus4
F7♭9♯5
A♯13
A♯7♯5
D♯9sus4
%
C13♭9
C7♯5
F9sus4
F7♭9♯5
A♯13
A♯7♯5
D♯9sus4
D♯13
%
Fm/D
F♯/E
%
%
%
%
C13♭9
C7♯5
F9sus4
F7♭9♯5
A♯13
A♯7♯5
D♯9sus4

Chord Diagrams — Tristeza in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
C♯6
4frEADGBE3333x1
EADGBEx4231x
6frEADGBE111423
9frEADGBE11x324
C♯m6
5frEADGBExx2314
EADGBE11x324
8frEADGBE2x134x
9frEADGBE111234
C13♭9
6frEADGBE222341
2frEADGBE44x213
3frEADGBE111134
8frEADGBE111324
C7♯5
8frEADGBE1x234
EADGBEx213x4
3frEADGBE11x432
10frEADGBExx1423
F9sus4
F - B♭ - C - E♭ - G
F7♭9♯5
F - A - C♯ - E♭ - G♭
A♯13
6frEADGBE111234
EADGBE44x12
4frEADGBE1132
12frEADGBE44x213
A♯7♯5
6frEADGBE1x234x
EADGBE11x432
8frEADGBExx1423
12frEADGBEx213x4
D♯9sus4
D♯ - G♯ - A♯ - C♯ - F
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯maj7
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
D♯13
6frEADGBE111134
5frEADGBE44x213
9frEADGBE11423
11frEADGBE111234
G♯
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
G♯aug
5frEADGBE11xx2x
EADGBE11432x
4frEADGBE1x423x
9frEADGBE11x32x
Fm/D
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
A♯m
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
F♯/E
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
A♯m6
6frEADGBE111234
EADGBEx13x24
3frEADGBEx2314x
5frEADGBE2x1334
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113

Explore More

Tristeza in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to C# (ascending unison), C# to C# (ascending unison), C# to C (descending half step), C to C (ascending unison), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to F# (descending major third), F# to A# (ascending major third), A# to A# (ascending unison), A# to C (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to C# by half step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 58 bars · Form: ABC

Chords: C♯maj7, C♯6, C♯m6, C13♭9, C7♯5, F9sus4, F7♭9♯5, A♯13, A♯7♯5, D♯9sus4, D♯7, G♯maj7, G♯7, D♯13, G♯, G♯aug, Fm/D, A♯m, F♯/E, A♯m6, A♯m7, Cm7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#