Do Re MiC D E

Beijo Partido

Horta Toninho4/4bossa-nova
C7sus4
C7sus4/G
D7alt/E♭
Gm7/D
A7sus4
E7sus4
D13
C♯13
C13
Fmaj7♯5
C7sus4
C7sus4/G
D7alt/E♭
Gm7/D
A7sus4
E7sus4
D13
C♯13
C13
Fmaj7♯5
C7sus4
C7sus4/G
D7alt/E♭
Gm7/D
A7sus4
E7sus4
D13
B7sus4
A7sus4
D69
C♯m♭6
Gm11
C13
Gm11
Am11
C7sus4
C7sus4/G
D7alt/E♭
Gm7/D
A7sus4
E7sus4
D13
C♯13
C13
Fmaj7♯5
C7sus4
C7sus4/G
D7alt/E♭
Gm7/D
A7sus4
E7sus4
D13
C♯13
C13
Fmaj7♯5
C7sus4
C7sus4/G
D7alt/E♭
Gm7/D
A7sus4
E7sus4
D13
B7sus4
A7sus4
D69
C♯m♭6
Gm11
C13
Gm11
Am11
Gm11
C13
Gm11
Am11
Gm11
C13
Gm11
Am11
Gm11
C13
Gm11
Am11

Chord Diagrams — Beijo Partido in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
C7sus4
5frEADGBE11xx23
EADGBE11x234
3frEADGBE111134
8frEADGBE111134
C7sus4/G
5frEADGBE11xx23
EADGBE11x234
3frEADGBE111134
8frEADGBE111134
A7alt
4frEADGBEx4312
EADGBEx123x
8frEADGBEx4132
12frEADGBEx1234x
D7alt
5frEADGBEx1234x
EADGBExx132
3frEADGBEx42x13
9frEADGBEx3412
D7alt/E♭
5frEADGBEx1234x
EADGBExx132
3frEADGBEx42x13
9frEADGBEx3412
Gm7/D
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
Bm7♭5
6frEADGBE2x341x
EADGBEx1324x
7frEADGBE111234
9frEADGBE222xx1
E7♭9
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
A7sus4
5frEADGBE111134
EADGBEx23
7frEADGBEx1324
10frEADGBE11x234
E7sus4
5frEADGBE11x234
EADGBE23
7frEADGBE111134
9frEADGBE11xx23
D♯sus4
6frEADGBE111234
EADGBExx1234
8frEADGBE11xx2x
11frEADGBE111234
D13
5frEADGBE111134
EADGBExx412
8frEADGBE4231
10frEADGBE1x234x
C♯13
4frEADGBE111134
EADGBEx4231
7frEADGBE222341
9frEADGBE111234
C13
3frEADGBE111134
2frEADGBE44x213
6frEADGBE222341
8frEADGBE111324
Fmaj7♯5
EADGBE1234
5frEADGBE111432
8frEADGBEx1423x
12frEADGBExx4231
F6
EADGBE11x324
3frEADGBE111x34
6frEADGBEx4231x
8frEADGBE113333
D♯7♯11
EADGBExx1234
5frEADGBE11x234
6frEADGBE11x23x
10frEADGBE111234
D7♭9
2frEADGBExx431
4frEADGBE11x234
5frEADGBE11x24
8frEADGBE3241xx
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
Bm9
EADGBEx1234
3frEADGBE222x14
7frEADGBE111134
10frEADGBE112234
Em9
EADGBE24
EADGBE1243
5frEADGBEx21344
10frEADGBE11324
F♯m
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
9frEADGBE111342
B7sus4
2frEADGBE111134
EADGBEx123
4frEADGBE1122xx
7frEADGBE111134
D69
2frEADGBEx431
4frEADGBE11x234
9frEADGBE111234
11frEADGBEx22134
C♯m♭6
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
Gm11
3frEADGBE111114
EADGBE2x341x
5frEADGBE11xx23
8frEADGBE11x234
Am11
3frEADGBE111342
EADGBEx1
5frEADGBE111114
10frEADGBE11x234

Explore More

Beijo Partido in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to C (ascending perfect fourth), C to C (ascending unison), C to A (descending minor third), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to B (ascending major third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to E (descending perfect fourth), E to D# (descending half step), D# to D (descending half step), D to C# (descending half step), C# to C (descending half step), C to F (ascending perfect fourth), F to F (ascending unison), F to D# (descending whole step), D# to D (descending half step), D to D# (ascending half step), D# to B (descending major third), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to D (ascending minor third), D to C# (descending half step), C# to B (descending whole step), B to G (descending major third), G to A (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from A to G by whole step.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 92 bars · Form: ABC

Chords: Gm7, C7sus4, C7sus4/G, A7alt, D7alt, D7alt/E♭, Gm7/D, Bm7♭5, E7♭9, A7sus4, E7sus4, D♯sus4, D13, C♯13, C13, Fmaj7♯5, F6, D♯7♯11, D7♭9, D♯7, Bm9, Em9, F♯m, B7sus4, D69, C♯m♭6, Bm7, Gm11, Am11.

Scales for Improvisation G bebop minor, G bebop.

Diatonic chords: See all chords in the key of G