Do Re MiC D E

Beijo Partido

Horta Toninho4/4bossa-nova
A7sus4
A7sus4/G
B7alt/E♭
Em7/D
F♯7sus4
C♯7sus4
B13
A♯13
A13
Dmaj7♯5
A7sus4
A7sus4/G
B7alt/E♭
Em7/D
F♯7sus4
C♯7sus4
B13
A♯13
A13
Dmaj7♯5
A7sus4
A7sus4/G
B7alt/E♭
Em7/D
F♯7sus4
C♯7sus4
B13
G♯7sus4
F♯7sus4
B69
A♯m♭6
Em11
A13
Em11
F♯m11
A7sus4
A7sus4/G
B7alt/E♭
Em7/D
F♯7sus4
C♯7sus4
B13
A♯13
A13
Dmaj7♯5
A7sus4
A7sus4/G
B7alt/E♭
Em7/D
F♯7sus4
C♯7sus4
B13
A♯13
A13
Dmaj7♯5
A7sus4
A7sus4/G
B7alt/E♭
Em7/D
F♯7sus4
C♯7sus4
B13
G♯7sus4
F♯7sus4
B69
A♯m♭6
Em11
A13
Em11
F♯m11
Em11
A13
Em11
F♯m11
Em11
A13
Em11
F♯m11
Em11
A13
Em11
F♯m11

Chord Diagrams — Beijo Partido in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
A7sus4
EADGBEx23
5frEADGBE111134
7frEADGBEx1324
10frEADGBE11x234
A7sus4/G
EADGBEx23
5frEADGBE111134
7frEADGBEx1324
10frEADGBE11x234
F♯7alt
EADGBExx4312
EADGBE11243x
4frEADGBExx1243
9frEADGBE11x234
B7alt
EADGBEx1234x
6frEADGBExx4312
7frEADGBE1243x
9frEADGBExx123
B7alt/E♭
EADGBEx1234x
6frEADGBExx4312
7frEADGBE1243x
9frEADGBExx123
Em7/D
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
G♯m7♭5
EADGBE2x341x
EADGBExx13
6frEADGBE222xx1
11frEADGBEx1324x
C♯7♭9
EADGBE11x234
4frEADGBEx1234
7frEADGBE3241x
9frEADGBExx1324
F♯7sus4
EADGBE111134
4frEADGBExx1324
7frEADGBE11x234
9frEADGBE111134
C♯7sus4
EADGBE11x234
4frEADGBE111134
6frEADGBExxx123
9frEADGBE111134
Csus4
3frEADGBE111234
EADGBE11x34
6frEADGBE23x14
8frEADGBE111234
B13
4frEADGBE111432
EADGBE44x213
EADGBE111134
7frEADGBE111234
A♯13
4frEADGBE1132
EADGBE44x12
6frEADGBE111234
12frEADGBE44x213
A13
3frEADGBE4231
EADGBEx123
5frEADGBE111324
11frEADGBE44x213
Dmaj7♯5
2frEADGBE111432
EADGBExx423
5frEADGBEx1243
9frEADGBExx231
D6
EADGBExx23
3frEADGBEx4231x
5frEADGBE3333x1
7frEADGBE111134
C7♯11
EADGBE11x234
3frEADGBE111x23
7frEADGBE111234
10frEADGBExx1234
B7♭9
EADGBE11x234
5frEADGBE3241xx
7frEADGBE111x23
8frEADGBE11xx23
C7
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
8frEADGBE111132
G♯m9
EADGBE11143
4frEADGBE111134
7frEADGBE221341
9frEADGBEx21344
C♯m9
EADGBEx21344
5frEADGBE222x14
7frEADGBEx13244
9frEADGBE111134
D♯m
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
B69
6frEADGBE111234
EADGBE11x234
8frEADGBEx22134
11frEADGBE11x432
A♯m♭6
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
Em11
5frEADGBE11x234
EADGBE1
3frEADGBE321
10frEADGBE111342
F♯m11
4frEADGBE11xx23
EADGBE231
EADGBE111114
7frEADGBE11x234

Explore More

Beijo Partido in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to A (ascending perfect fourth), A to A (ascending unison), A to F# (descending minor third), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to G# (ascending major third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to C# (descending perfect fourth), C# to C (descending half step), C to B (descending half step), B to A# (descending half step), A# to A (descending half step), A to D (ascending perfect fourth), D to D (ascending unison), D to C (descending whole step), C to B (descending half step), B to C (ascending half step), C to G# (descending major third), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to A# (descending half step), A# to G# (descending whole step), G# to E (descending major third), E to F# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from F# to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 92 bars · Form: ABC

Chords: Em7, A7sus4, A7sus4/G, F♯7alt, B7alt, B7alt/E♭, Em7/D, G♯m7♭5, C♯7♭9, F♯7sus4, C♯7sus4, Csus4, B13, A♯13, A13, Dmaj7♯5, D6, C7♯11, B7♭9, C7, G♯m9, C♯m9, D♯m, G♯7sus4, B69, A♯m♭6, G♯m7, Em11, F♯m11.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E