Do Re MiC D E

Beijo Partido

Horta Toninho4/4bossa-nova
A♯7sus4
A♯7sus4/G
C7alt/E♭
Fm7/D
G7sus4
D7sus4
C13
B13
A♯13
D♯maj7♯5
A♯7sus4
A♯7sus4/G
C7alt/E♭
Fm7/D
G7sus4
D7sus4
C13
B13
A♯13
D♯maj7♯5
A♯7sus4
A♯7sus4/G
C7alt/E♭
Fm7/D
G7sus4
D7sus4
C13
A7sus4
G7sus4
C69
Bm♭6
Fm11
A♯13
Fm11
Gm11
A♯7sus4
A♯7sus4/G
C7alt/E♭
Fm7/D
G7sus4
D7sus4
C13
B13
A♯13
D♯maj7♯5
A♯7sus4
A♯7sus4/G
C7alt/E♭
Fm7/D
G7sus4
D7sus4
C13
B13
A♯13
D♯maj7♯5
A♯7sus4
A♯7sus4/G
C7alt/E♭
Fm7/D
G7sus4
D7sus4
C13
A7sus4
G7sus4
C69
Bm♭6
Fm11
A♯13
Fm11
Gm11
Fm11
A♯13
Fm11
Gm11
Fm11
A♯13
Fm11
Gm11
Fm11
A♯13
Fm11
Gm11

Chord Diagrams — Beijo Partido in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯7sus4
EADGBE1122xx
EADGBE111x34
6frEADGBE111134
8frEADGBExx1324
A♯7sus4/G
EADGBE1122xx
EADGBE111x34
6frEADGBE111134
8frEADGBExx1324
G7alt
EADGBE31x24
5frEADGBExx123
9frEADGBEx312
10frEADGBEx1234x
C7alt
2frEADGBE11x234
3frEADGBEx1234
7frEADGBExx4312
10frEADGBExx1243
C7alt/E♭
2frEADGBE11x234
3frEADGBEx1234
7frEADGBExx4312
10frEADGBExx1243
Fm7/D
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Am7♭5
4frEADGBE2x341x
EADGBEx23x
5frEADGBE111234
7frEADGBE222xx1
D7♭9
4frEADGBE11x234
2frEADGBExx431
5frEADGBE11x24
8frEADGBE3241xx
G7sus4
3frEADGBE111134
EADGBE1123
8frEADGBE11x234
10frEADGBE111134
D7sus4
3frEADGBEx2341x
EADGBExx214
5frEADGBE111134
10frEADGBE111134
C♯sus4
4frEADGBE111234
EADGBEx3412x
6frEADGBE2x1114
9frEADGBE111234
C13
3frEADGBE111134
2frEADGBE44x213
6frEADGBE222341
8frEADGBE111324
B13
EADGBE111134
EADGBE44x213
4frEADGBE111432
7frEADGBE111234
A♯13
EADGBE44x12
4frEADGBE1132
6frEADGBE111234
12frEADGBE44x213
D♯maj7♯5
3frEADGBE111432
5frEADGBEx213x4
6frEADGBEx1423x
11frEADGBE11x234
D♯6
4frEADGBEx4231x
EADGBE11xx34
6frEADGBE3333x1
10frEADGBE2x143x
C♯7♯11
4frEADGBE111x23
EADGBEx213
8frEADGBE111234
9frEADGBE111123
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
Am9
EADGBEx2413
5frEADGBE111134
8frEADGBE132
10frEADGBEx21344
Dm9
EADGBE132
3frEADGBEx21344
5frEADGBEx1423
10frEADGBE111134
Em
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx
A7sus4
EADGBEx23
5frEADGBE111134
7frEADGBEx1324
10frEADGBE11x234
C69
EADGBE11x334
3frEADGBEx134
7frEADGBE111234
9frEADGBEx22134
Bm♭6
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
Fm11
EADGBE111114
EADGBE11xx23
6frEADGBE11x234
11frEADGBE111342
Gm11
EADGBE2x341x
3frEADGBE111114
5frEADGBE11xx23
8frEADGBE11x234

Explore More

Beijo Partido in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to G (descending minor third), G to C (ascending perfect fourth), C to C (ascending unison), C to F (ascending perfect fourth), F to A (ascending major third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to C# (descending half step), C# to C (descending half step), C to B (descending half step), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to C# (descending whole step), C# to C (descending half step), C to C# (ascending half step), C# to A (descending major third), A to D (ascending perfect fourth), D to E (ascending whole step), E to A (ascending perfect fourth), A to C (ascending minor third), C to B (descending half step), B to A (descending whole step), A to F (descending major third), F to G (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from G to F by whole step.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 92 bars · Form: ABC

Chords: Fm7, A♯7sus4, A♯7sus4/G, G7alt, C7alt, C7alt/E♭, Fm7/D, Am7♭5, D7♭9, G7sus4, D7sus4, C♯sus4, C13, B13, A♯13, D♯maj7♯5, D♯6, C♯7♯11, C7♭9, C♯7, Am9, Dm9, Em, A7sus4, C69, Bm♭6, Am7, Fm11, Gm11.

Scales for Improvisation F bebop minor, F bebop.

Diatonic chords: See all chords in the key of F