Do Re MiC D E

Amazonia

Caram Ana4/4samba
%
%
%
%
%
%
%
%
%
%
%
C♯9/G
%
%
%
C7♯9/G
%
B7/G
%
%
A♯m7♭5/D
%
F♯9sus4
E9sus4
D♯7sus4
%
%
F♯9sus4
E9sus4
D♯7sus4
%
%
F♯9sus4
Bmaj7♯5
Bmaj9
%
%
%
D♯7♭9♯5
%
D♯7♭9♯5
A♯13♭9
D♯7♭9♯5
G♯7♭9♯5
D♯7♭9♯5
A♯13♭9
D♯7♭9♯5
%
A♯m9/G
%
%
A♯m9/G
%
%
A♯m9/G
%
%
A♯m9/G
%

Chord Diagrams — Amazonia in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯7♯11
3frEADGBE2x341x
6frEADGBExx1234
10frEADGBE11x234
11frEADGBE111x23
C♯9/G
EADGBE221334
8frEADGBE3142xx
9frEADGBE111324
10frEADGBExx2143
C7♯9/G
3frEADGBE11x32
EADGBEx2134x
8frEADGBE111324
9frEADGBExx2134
B7/G
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
A♯m7♭5
EADGBE11xx24
EADGBEx1324x
5frEADGBE2x341x
8frEADGBE222xx1
A♯m7♭5/D
EADGBE11xx24
EADGBEx1324x
5frEADGBE2x341x
8frEADGBE222xx1
D♯7♭5
EADGBExx1234
4frEADGBExx2413
6frEADGBE111x23
10frEADGBE2x341x
G♯m9
EADGBE11143
4frEADGBE111134
7frEADGBE221341
9frEADGBEx21344
F♯9sus4
F♯ - B - C♯ - E - G♯
F♯9
EADGBE111324
3frEADGBExx2143
8frEADGBE221334
11frEADGBE1111x2
E9sus4
E - A - B - D - F♯
E9
EADGBE113x42
EADGBE213
6frEADGBE221334
9frEADGBE11112
D♯7sus4
EADGBExx1324
4frEADGBE11x234
6frEADGBE111134
11frEADGBE111134
D♯7♯9
EADGBExx234
5frEADGBEx2134x
8frEADGBE111x23
10frEADGBE2134xx
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
Bmaj7♯5
2frEADGBEx1423x
EADGBEx2134
6frEADGBE2133x
11frEADGBE111432
Bmaj9
EADGBE22143x
4frEADGBE11xx34
6frEADGBE11243x
8frEADGBExx2143
D♯7♭9♯5
D♯ - G - B - C♯ - E
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x
7frEADGBE11xx24
10frEADGBE2x341x
G♯7♭9
EADGBE111x2
4frEADGBE11xx23
5frEADGBE11xx23
10frEADGBE11x234
Fm7♭5
EADGBE1x23x
EADGBE222xx1
8frEADGBEx1324x
11frEADGBE2134x
A♯13♭9
EADGBE44x12
4frEADGBE1132
6frEADGBE111234
12frEADGBE44x213
G♯7♭9♯5
G♯ - C - E - F♯ - A
A♯m9/G
2frEADGBExx2413
4frEADGBE113x24
6frEADGBE111134
11frEADGBEx2134x

Explore More

Amazonia in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to C (descending half step), C to B (descending half step), B to A# (descending half step), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to F# (ascending unison), F# to E (descending whole step), E to E (ascending unison), E to D# (descending half step), D# to D# (ascending unison), D# to C# (descending whole step), C# to B (descending whole step), B to B (ascending unison), B to D# (ascending major third), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to A# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to G# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 88 bars · Form: ABCD

Chords: G♯7♯11, C♯9/G, C7♯9/G, B7/G, A♯m7♭5, A♯m7♭5/D, D♯7♭5, G♯m9, F♯9sus4, F♯9, E9sus4, E9, D♯7sus4, D♯7♯9, C♯m7, Bmaj7♯5, Bmaj9, D♯7♭9♯5, D♯m7♭5, G♯7♭9, Fm7♭5, A♯13♭9, G♯7♭9♯5, A♯m9/G.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#