Do Re MiC D E

Amazonia

Caram Ana4/4samba
%
%
%
%
%
%
%
%
%
%
%
D9/G
%
%
%
C♯7♯9/G
%
C7/G
%
%
Bm7♭5/D
%
G9sus4
F9sus4
E7sus4
%
%
G9sus4
F9sus4
E7sus4
%
%
G9sus4
Cmaj7♯5
Cmaj9
%
%
%
E7♭9♯5
%
E7♭9♯5
B13♭9
E7♭9♯5
A7♭9♯5
E7♭9♯5
B13♭9
E7♭9♯5
%
Bm9/G
%
%
Bm9/G
%
%
Bm9/G
%
%
Bm9/G
%

Chord Diagrams — Amazonia in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A7♯11
4frEADGBE111234
EADGBEx13
7frEADGBExx1234
11frEADGBE11x234
D9/G
4frEADGBE221334
7frEADGBEx1234
9frEADGBE11234x
10frEADGBE111324
C♯7♯9/G
3frEADGBEx2134x
EADGBEx3241
8frEADGBE2222x1
9frEADGBE111324
C7/G
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
Bm7♭5/D
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
E7♭5
EADGBExx1234
EADGBE124
5frEADGBExx2413
7frEADGBE11x23x
Am9
EADGBEx2413
5frEADGBE111134
8frEADGBE132
10frEADGBEx21344
G9sus4
G - C - D - F - A
G9
EADGBE11234x
EADGBE31
3frEADGBE111324
9frEADGBE221334
F9sus4
F - B♭ - C - E♭ - G
F9
EADGBExx2143
EADGBE111324
7frEADGBE221334
10frEADGBE1111x2
E7sus4
EADGBE23
5frEADGBE11x234
7frEADGBE111134
9frEADGBE11xx23
E7♯9
EADGBE214
3frEADGBE312
6frEADGBEx2134x
9frEADGBE11123
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
Cmaj7♯5
EADGBEx321
3frEADGBEx1423
5frEADGBE4321
8frEADGBE1432
Cmaj9
EADGBEx3
EADGBE22143x
5frEADGBE11113
8frEADGBE11x234
E7♭9♯5
E - G♯ - C - D - F
Em7♭5
EADGBE33312
7frEADGBEx1324x
8frEADGBE11xx24
11frEADGBE2x341x
A7♭9
EADGBE11x23
5frEADGBE111423
6frEADGBE11xx23
11frEADGBE11x234
F♯m7♭5
EADGBE2341
4frEADGBE222xx1
9frEADGBEx1324x
10frEADGBE11xx24
B13♭9
EADGBE44x213
EADGBE111134
4frEADGBE111432
7frEADGBE111234
A7♭9♯5
A - C♯ - F - G - B♭
Bm9/G
EADGBEx1234
3frEADGBE222x14
7frEADGBE111134
10frEADGBE112234

Explore More

Amazonia in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to C# (descending half step), C# to C (descending half step), C to B (descending half step), B to B (ascending unison), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to G (descending whole step), G to G (ascending unison), G to F (descending whole step), F to F (ascending unison), F to E (descending half step), E to E (ascending unison), E to D (descending whole step), D to C (descending whole step), C to C (ascending unison), C to E (ascending major third), E to E (ascending unison), E to A (ascending perfect fourth), A to F# (descending minor third), F# to B (ascending perfect fourth), B to A (descending whole step), A to B (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to A by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 88 bars · Form: ABCD

Chords: A7♯11, D9/G, C♯7♯9/G, C7/G, Bm7♭5, Bm7♭5/D, E7♭5, Am9, G9sus4, G9, F9sus4, F9, E7sus4, E7♯9, Dm7, Cmaj7♯5, Cmaj9, E7♭9♯5, Em7♭5, A7♭9, F♯m7♭5, B13♭9, A7♭9♯5, Bm9/G.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A