Do Re MiC D E

Amazonia

Caram Ana4/4samba
%
%
%
%
%
%
%
%
%
%
%
F9/G
%
%
%
E7♯9/G
%
D♯7/G
%
%
Dm7♭5/D
%
A♯9sus4
G♯9sus4
G7sus4
%
%
A♯9sus4
G♯9sus4
G7sus4
%
%
A♯9sus4
D♯maj7♯5
D♯maj9
%
%
%
G7♭9♯5
%
G7♭9♯5
D13♭9
G7♭9♯5
C7♭9♯5
G7♭9♯5
D13♭9
G7♭9♯5
%
Dm9/G
%
%
Dm9/G
%
%
Dm9/G
%
%
Dm9/G
%

Chord Diagrams — Amazonia in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C7♯11
3frEADGBE111x23
EADGBE11x234
7frEADGBE111234
10frEADGBExx1234
F9/G
EADGBExx2143
EADGBE111324
7frEADGBE221334
10frEADGBE1111x2
E7♯9/G
EADGBE214
3frEADGBE312
6frEADGBEx2134x
9frEADGBE11123
D♯7/G
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
Dm7♭5
EADGBE111xx
3frEADGBE11x342
5frEADGBEx1324x
8frEADGBEx1432
Dm7♭5/D
EADGBE111xx
3frEADGBE11x342
5frEADGBEx1324x
8frEADGBEx1432
G7♭5
EADGBE2x341x
5frEADGBExx1234
9frEADGBEx3142
10frEADGBE11x23x
Cm9
EADGBEx1243
EADGBEx21344
6frEADGBEx13244
8frEADGBE111134
A♯9sus4
A♯ - D♯ - F - G♯ - C
A♯9
EADGBEx1234
5frEADGBE11234x
6frEADGBE111324
12frEADGBEx21333
G♯9sus4
G♯ - C♯ - D♯ - F♯ - A♯
G♯9
EADGBE11234x
4frEADGBE111324
5frEADGBExx2143
10frEADGBE221334
G7sus4
3frEADGBE111134
EADGBE1123
8frEADGBE11x234
10frEADGBE111134
G7♯9
3frEADGBE114432
EADGBE3241
4frEADGBE44x231
9frEADGBEx2134x
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
D♯maj7♯5
3frEADGBE111432
5frEADGBEx213x4
6frEADGBEx1423x
11frEADGBE11x234
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x
8frEADGBE1111x4
11frEADGBExx2314
G7♭9♯5
G - B - D♯ - F - A♭
Gm7♭5
EADGBE2x341x
EADGBE3xx421
5frEADGBE222xx1
10frEADGBEx1324x
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
Am7♭5
EADGBEx23x
4frEADGBE2x341x
5frEADGBE111234
7frEADGBE222xx1
D13♭9
EADGBExx412
5frEADGBE111134
8frEADGBE4231
10frEADGBE1x234x
C7♭9♯5
C - E - G♯ - B♭ - D♭
Dm9/G
EADGBE132
3frEADGBEx21344
5frEADGBEx1423
10frEADGBE111134

Explore More

Amazonia in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to E (descending half step), E to D# (descending half step), D# to D (descending half step), D to D (ascending unison), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to A# (descending whole step), A# to A# (ascending unison), A# to G# (descending whole step), G# to G# (ascending unison), G# to G (descending half step), G to G (ascending unison), G to F (descending whole step), F to D# (descending whole step), D# to D# (ascending unison), D# to G (ascending major third), G to G (ascending unison), G to C (ascending perfect fourth), C to A (descending minor third), A to D (ascending perfect fourth), D to C (descending whole step), C to D (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to C by whole step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 88 bars · Form: ABCD

Chords: C7♯11, F9/G, E7♯9/G, D♯7/G, Dm7♭5, Dm7♭5/D, G7♭5, Cm9, A♯9sus4, A♯9, G♯9sus4, G♯9, G7sus4, G7♯9, Fm7, D♯maj7♯5, D♯maj9, G7♭9♯5, Gm7♭5, C7♭9, Am7♭5, D13♭9, C7♭9♯5, Dm9/G.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C