Do Re MiC D E

A Noite

Lins Ivan4/4bossa-nova
Fm7/D♯
Fm7/D♯
Fm7/D♯
Fm7/F♯
Fm6/F♯
%
A♯m7/F♯
G13
D♯13
G13♭9
Fm7/D♯
Fm7/F♯
Fm6/F♯
%
A♯m7/F♯
G13
D♯13
D♯13
G♯maj7/A
D♯maj7/E
D♯7/E
D7♯5
D♯13
G♯maj7/A
D♯maj7/E
D♯7/E
D7♯5
G13
D♯13
G13♭9
F/A♯
C♯maj7♯11
Cmaj7♯11
Fm7/D♯
Fm7/F♯
Fm6/F♯
%
A♯m7/F♯
G13
D♯13
G13♭9
Fm7/D♯
Fm7/F♯
Fm6/F♯
%
A♯m7/F♯
G13
D♯13
D♯13
G♯maj7/A
D♯maj7/E
D♯7/E
D7♯5
D♯13
G♯maj7/A
D♯maj7/E
D♯7/E
D7♯5
G13

Chord Diagrams — A Noite in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
Fm7/D♯
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
G9
3frEADGBE111324
EADGBE31
EADGBE11234x
9frEADGBE221334
Fm7/F♯
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Fm6/F♯
3frEADGBE11xx32
EADGBE1x234
6frEADGBE11x324
9frEADGBExx2314
A♯m7/F♯
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
Dm9
EADGBE132
3frEADGBEx21344
5frEADGBEx1423
10frEADGBE111134
G13
EADGBE321
3frEADGBE11x234
3frEADGBE111324
9frEADGBEx21334
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
G13♭9
3frEADGBE11x234
EADGBE321
3frEADGBE111324
9frEADGBEx21334
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
A♯7
8frEADGBE11x324
EADGBE111x34
6frEADGBE111132
11frEADGBEx3241x
D♯maj7
8frEADGBE111xx4
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
G♯maj7/A
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
D♯maj7/E
6frEADGBE111324
EADGBE11333x
3frEADGBE111x43
8frEADGBE111xx4
Cm7
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
D♯7/E
8frEADGBE111xx2
EADGBExx1324
6frEADGBE111x34
11frEADGBE111132
Am7♭5
7frEADGBE222xx1
EADGBEx23x
4frEADGBE2x341x
5frEADGBE111234
D7♯5
5frEADGBE11x432
EADGBExx412
4frEADGBEx213x4
10frEADGBE1x234x
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
F/A♯
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
C♯maj7♯11
4frEADGBE11x234
EADGBEx42311
8frEADGBE111123
9frEADGBE111234
Cmaj7♯11
3frEADGBE11x234
EADGBEx4231
7frEADGBE111123
8frEADGBE111234

Explore More

A Noite in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to C (ascending unison), C to F (ascending perfect fourth), F to G (ascending whole step), G to F (descending whole step), F to F (ascending unison), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D (descending half step), D to G (ascending perfect fourth), G to D# (descending major third), D# to G (ascending major third), G to D (descending perfect fourth), D to E (ascending whole step), E to F (ascending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to C (descending minor third), C to D# (ascending minor third), D# to A (ascending tritone), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to F (descending whole step), F to C# (descending major third), C# to C (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to C by unison.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 71 bars · Form: AB

Chords: C, Cmaj7, Fm7/D♯, G9, Fm7/F♯, Fm6/F♯, A♯m7/F♯, A♯m7, D♯7, Dm9, G13, D♯13, G13♭9, Dm7, Em7, Fm7, A♯7, D♯maj7, G♯maj7/A, C♯7, D♯maj7/E, Cm7, D♯7/E, Am7♭5, D7♯5, G7, F/A♯, C♯maj7♯11, Cmaj7♯11.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#