Do Re MiC D E

A Noite

Lins Ivan4/4bossa-nova
G♯m7/D♯
G♯m7/D♯
G♯m7/D♯
G♯m7/F♯
G♯m6/F♯
%
C♯m7/F♯
A♯13
F♯13
A♯13♭9
G♯m7/D♯
G♯m7/F♯
G♯m6/F♯
%
C♯m7/F♯
A♯13
F♯13
F♯13
Bmaj7/A
F♯maj7/E
F♯7/E
F7♯5
F♯13
Bmaj7/A
F♯maj7/E
F♯7/E
F7♯5
A♯13
F♯13
A♯13♭9
G♯/A♯
Emaj7♯11
D♯maj7♯11
G♯m7/D♯
G♯m7/F♯
G♯m6/F♯
%
C♯m7/F♯
A♯13
F♯13
A♯13♭9
G♯m7/D♯
G♯m7/F♯
G♯m6/F♯
%
C♯m7/F♯
A♯13
F♯13
F♯13
Bmaj7/A
F♯maj7/E
F♯7/E
F7♯5
F♯13
Bmaj7/A
F♯maj7/E
F♯7/E
F7♯5
A♯13

Chord Diagrams — A Noite in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
D♯maj7
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
G♯m7/D♯
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
A♯9
5frEADGBE11234x
EADGBEx1234
6frEADGBE111324
12frEADGBEx21333
G♯m7/F♯
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
G♯m6/F♯
6frEADGBE111x32
EADGBE2x134x
4frEADGBE111234
9frEADGBE11x324
C♯m7/F♯
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
Fm9
EADGBEx1234
EADGBE111134
6frEADGBEx21344
11frEADGBE21344
A♯13
4frEADGBE1132
EADGBE44x12
6frEADGBE111234
12frEADGBE44x213
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
A♯13♭9
EADGBE44x12
4frEADGBE1132
6frEADGBE111234
12frEADGBE44x213
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
F♯maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
Bmaj7/A
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
F♯maj7/E
6frEADGBE111x43
EADGBE111423
4frEADGBE11x333
9frEADGBE111324
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
F♯7/E
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
Cm7♭5
4frEADGBE11xx24
EADGBEx1324x
8frEADGBE111234
10frEADGBE333xx1
F7♯5
3frEADGBExx1423
EADGBE1234x
8frEADGBE11x432
12frEADGBE213x4x
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
G♯/A♯
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
Emaj7♯11
7frEADGBE11x234
EADGBE11234
4frEADGBE11x423
11frEADGBE111123
D♯maj7♯11
6frEADGBE11x234
EADGBEx314x
3frEADGBE11x423
10frEADGBE111123

Explore More

A Noite in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to A# (ascending whole step), A# to G# (descending whole step), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F (descending half step), F to A# (ascending perfect fourth), A# to F# (descending major third), F# to A# (ascending major third), A# to F (descending perfect fourth), F to G (ascending whole step), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to D# (descending minor third), D# to F# (ascending minor third), F# to C (ascending tritone), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to E (descending major third), E to D# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to D# by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 71 bars · Form: AB

Chords: D♯, D♯maj7, G♯m7/D♯, A♯9, G♯m7/F♯, G♯m6/F♯, C♯m7/F♯, C♯m7, F♯7, Fm9, A♯13, F♯13, A♯13♭9, Fm7, Gm7, G♯m7, C♯7, F♯maj7, Bmaj7/A, E7, F♯maj7/E, D♯m7, F♯7/E, Cm7♭5, F7♯5, A♯7, G♯/A♯, Emaj7♯11, D♯maj7♯11.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A