Do Re MiC D E

A Noite

Lins Ivan4/4bossa-nova
A♯m7/D♯
A♯m7/D♯
A♯m7/D♯
A♯m7/F♯
A♯m6/F♯
%
D♯m7/F♯
C13
G♯13
C13♭9
A♯m7/D♯
A♯m7/F♯
A♯m6/F♯
%
D♯m7/F♯
C13
G♯13
G♯13
C♯maj7/A
G♯maj7/E
G♯7/E
G7♯5
G♯13
C♯maj7/A
G♯maj7/E
G♯7/E
G7♯5
C13
G♯13
C13♭9
A♯/A♯
F♯maj7♯11
Fmaj7♯11
A♯m7/D♯
A♯m7/F♯
A♯m6/F♯
%
D♯m7/F♯
C13
G♯13
C13♭9
A♯m7/D♯
A♯m7/F♯
A♯m6/F♯
%
D♯m7/F♯
C13
G♯13
G♯13
C♯maj7/A
G♯maj7/E
G♯7/E
G7♯5
G♯13
C♯maj7/A
G♯maj7/E
G♯7/E
G7♯5
C13

Chord Diagrams — A Noite in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
A♯m7/D♯
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
C9
EADGBE221334
7frEADGBE112344
7frEADGBE131214
9frEADGBExx2143
A♯m7/F♯
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
A♯m6/F♯
EADGBEx13x24
3frEADGBEx2314x
5frEADGBE2x1334
6frEADGBE111234
D♯m7/F♯
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
Gm9
EADGBE2341
3frEADGBE111134
6frEADGBE11xx2
8frEADGBEx21344
C13
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
8frEADGBE111324
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
C13♭9
3frEADGBE111134
2frEADGBE44x213
6frEADGBE222341
8frEADGBE111324
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
A♯m7
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
C♯maj7/A
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
G♯maj7/E
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
G♯7/E
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
Dm7♭5
3frEADGBE11x342
EADGBE111xx
5frEADGBEx1324x
8frEADGBEx1432
G7♯5
EADGBE1x234x
EADGBE4312
5frEADGBExx1423
10frEADGBE11x432
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
A♯/A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
F♯maj7♯11
4frEADGBE11x234
EADGBE111123
6frEADGBE11x423
9frEADGBE11x234
Fmaj7♯11
5frEADGBE11x423
EADGBE12
EADGBExx213
8frEADGBE11x234

Explore More

A Noite in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to F (ascending unison), F to A# (ascending perfect fourth), A# to C (ascending whole step), C to A# (descending whole step), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G (descending half step), G to C (ascending perfect fourth), C to G# (descending major third), G# to C (ascending major third), C to G (descending perfect fourth), G to A (ascending whole step), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to F (descending minor third), F to G# (ascending minor third), G# to D (ascending tritone), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to A# (descending whole step), A# to F# (descending major third), F# to F (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to F by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 71 bars · Form: AB

Chords: F, Fmaj7, A♯m7/D♯, C9, A♯m7/F♯, A♯m6/F♯, D♯m7/F♯, D♯m7, G♯7, Gm9, C13, G♯13, C13♭9, Gm7, Am7, A♯m7, D♯7, G♯maj7, C♯maj7/A, F♯7, G♯maj7/E, Fm7, G♯7/E, Dm7♭5, G7♯5, C7, A♯/A♯, F♯maj7♯11, Fmaj7♯11.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B