Do Re MiC D E

Superstition

Wonder Stevie4/4funk♩= 100
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Fm7/G♭
Fm7/B♭
Fm7/B♭
Fm7/G♭
Fm7/G♭
Fm7/B♭
Fm7/B♭
Fm7/G♭
Fm7/G♭
Fm7/B♭
Fm7/B♭
Fm7/G♭
Fm7/G♭
Fm7/B♭
Fm7/B♭
Fm7/G♭
C7♯5
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Fm7/G♭
Fm7/B♭
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Fm7/G♭
Fm7/G♭
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Fm7/B♭
Fm7/G♭
Fm7/G♭
Fm7/B♭
Fm7/B♭
Fm7/G♭
Fm7/G♭
Fm7/B♭
Fm7/B♭
Fm7/G♭
C7♯5
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C7♯5
Fm7/G♭
Fm7/B♭
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Fm7/G♭
Fm7/B♭
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Fm7/B♭
Fm7/B♭
Fm7/G♭
Fm7/G♭
Fm7/B♭
Fm7/B♭
Fm7/G♭
Fm7/G♭
Fm7/B♭
Fm7/B♭
Fm7/G♭
C7♯5
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Chord Diagrams — Superstition in F (Guitar)

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Superstition in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to F (ascending unison), F to F (ascending unison), F to C (descending perfect fourth), C to C# (ascending half step), C# to B (descending whole step), B to A# (descending half step), A# to C (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to F by perfect fourth.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 100 bars · Form: AABB

Chords: Fm7, Fm7/G♭, Fm7/B♭, C7, C♯7♭5, B7♭5, A♯7, C7♯5.

Scales for Improvisation F bebop minor, F bebop.

Diatonic chords: See all chords in the key of F