Do Re MiC D E

Superstition

Wonder Stevie4/4funk♩= 100
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A♯m7/G♭
A♯m7/B♭
A♯m7/B♭
A♯m7/G♭
A♯m7/G♭
A♯m7/B♭
A♯m7/B♭
A♯m7/G♭
A♯m7/G♭
A♯m7/B♭
A♯m7/B♭
A♯m7/G♭
A♯m7/G♭
A♯m7/B♭
A♯m7/B♭
A♯m7/G♭
F7♯5
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A♯m7/G♭
A♯m7/B♭
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A♯m7/G♭
A♯m7/G♭
A♯m7/B♭
A♯m7/B♭
A♯m7/G♭
A♯m7/G♭
A♯m7/B♭
A♯m7/B♭
A♯m7/G♭
A♯m7/G♭
A♯m7/B♭
A♯m7/B♭
A♯m7/G♭
F7♯5
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F7♯5
A♯m7/G♭
A♯m7/B♭
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A♯m7/G♭
A♯m7/B♭
A♯m7/B♭
A♯m7/G♭
A♯m7/G♭
A♯m7/B♭
A♯m7/B♭
A♯m7/G♭
A♯m7/G♭
A♯m7/B♭
A♯m7/B♭
A♯m7/G♭
A♯m7/G♭
A♯m7/B♭
A♯m7/B♭
A♯m7/G♭
F7♯5
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Chord Diagrams — Superstition in A# (Guitar)

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Superstition in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to A# (ascending unison), A# to F (descending perfect fourth), F to F# (ascending half step), F# to E (descending whole step), E to D# (descending half step), D# to F (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 100 bars · Form: AABB

Chords: A♯m7, A♯m7/G♭, A♯m7/B♭, F7, F♯7♭5, E7♭5, D♯7, F7♯5.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#