Do Re MiC D E

She's Always A Woman Part 2

Joel Billy4/4ballad♩= 161
%
C♯m7/B♭
B/D
C♯m7/B♭
F♯7/A
B/A
E/G
A/G
A/F
%
Em/D♭
A7/C
D/C
G/B♭
C/A♯
F♯7/A
%
%
Amaj

Chord Diagrams — She's Always A Woman Part 2 in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
Esus4
2frEADGBE11234
EADGBE234
7frEADGBE111234
9frEADGBE11xx2
B
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
C♯m7/B♭
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
B/D
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
F♯7/A
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
B/A
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
E/G
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
A/G
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
A/F
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
Em
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
Em/D♭
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
A7/C
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
D/C
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
G/B♭
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
G
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C/A♯
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
B6
EADGBEx312x
EADGBE3333x1
7frEADGBE1x324x
9frEADGBE11xx34
Amaj
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
A6
EADGBE1111x
4frEADGBE2x143x
5frEADGBE113x24
10frEADGBEx4231x
C♯m/B♭
EADGBEx4213x
4frEADGBE111342
6frEADGBE1132x4
9frEADGBE111134
F♯m
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
9frEADGBE111342

Explore More

She's Always A Woman Part 2 in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to E (ascending unison), E to B (descending perfect fourth), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to A (descending major third), A to B (ascending whole step), B to F# (descending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to B (ascending whole step), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to C (ascending unison), C to B (descending half step), B to A (descending whole step), A to A (ascending unison), A to C# (ascending major third), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 83 bars · Form: BCA

Chords: E, Esus4, B, G♯7, C♯m, C♯m7/B♭, A, B/D, F♯7/A, F♯7, B/A, E/G, A/G, A/F, B7, Em, Em/D♭, A7/C, A7, D, D/C, G/B♭, G, C, C/A♯, B6, Amaj, A6, C♯m/B♭, F♯m.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E