Do Re MiC D E

She's Always A Woman Part 2

Joel Billy4/4ballad♩= 161

Chord Diagrams — She's Always A Woman Part 2 in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
D♯sus4
EADGBExx1234
6frEADGBE111234
8frEADGBE11xx2x
11frEADGBE111234
A♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
Cm
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
Cm7/B♭
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
G♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
A♯/D
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
F7/A
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
A♯/A
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
D♯/G
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
G♯/G
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
G♯/F
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯m
EADGBExx1342
EADGBExx3241
6frEADGBE111342
11frEADGBE111134
D♯m/D♭
EADGBExx1342
EADGBExx3241
6frEADGBE111342
11frEADGBE111134
G♯7/C
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
C♯/C
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
F♯/B♭
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
F♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
B
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
B/A♯
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
A♯6
EADGBE3333x1
5frEADGBE2134
6frEADGBE113x24
10frEADGBEx4231x
G♯maj
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
G♯6
EADGBE1111x3
3frEADGBE2x143x
6frEADGBE111x34
9frEADGBEx4231x
Cm/B♭
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
Fm
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx

Explore More

She's Always A Woman Part 2 in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to G (descending minor third), G to C (ascending perfect fourth), C to C (ascending unison), C to G# (descending major third), G# to A# (ascending whole step), A# to F (descending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to A# (ascending whole step), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to A# (descending half step), A# to G# (descending whole step), G# to G# (ascending unison), G# to C (ascending major third), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to D# by whole step.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 83 bars · Form: BCA

Chords: D♯, D♯sus4, A♯, G7, Cm, Cm7/B♭, G♯, A♯/D, F7/A, F7, A♯/A, D♯/G, G♯/G, G♯/F, A♯7, D♯m, D♯m/D♭, G♯7/C, G♯7, C♯, C♯/C, F♯/B♭, F♯, B, B/A♯, A♯6, G♯maj, G♯6, Cm/B♭, Fm.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#