Do Re MiC D E

Nothing Rhymed

O'Sullivan Gilbert4/4ballad♩= 60
F♯/B
Bm/B♭
F♯/B
Bm/B♭
Cmaj
F♯/B
Bm/B♭
Cmaj
F♯/B
Bm/B♭
Cmaj
%
F♯/B
Bm/B♭

Chord Diagrams — Nothing Rhymed in B (Guitar)

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Nothing Rhymed in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to G (descending major third), G to D (descending perfect fourth), D to A (descending perfect fourth), A to A (ascending unison), A to E (descending perfect fourth), E to C (descending major third), C to C (ascending unison), C to A (descending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to E (descending minor third), E to F# (ascending whole step), F# to A (ascending minor third), A to D (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to B by minor third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 90 bars · Form: ABACAD

Chords: Bm, F♯/B, Bm/B♭, G, D, A, A7, Em9, Cmaj, C, Am7, D7, Gm7, E7, F♯7, Asus4, D/D.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B