Do Re MiC D E

Nothing Rhymed

O'Sullivan Gilbert4/4ballad♩= 60
E/B
Am/B♭
E/B
Am/B♭
A♯maj
E/B
Am/B♭
A♯maj
E/B
Am/B♭
A♯maj
%
E/B
Am/B♭

Chord Diagrams — Nothing Rhymed in A (Guitar)

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Nothing Rhymed in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to A (ascending perfect fourth), A to F (descending major third), F to C (descending perfect fourth), C to G (descending perfect fourth), G to G (ascending unison), G to D (descending perfect fourth), D to A# (descending major third), A# to A# (ascending unison), A# to G (descending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to D (descending minor third), D to E (ascending whole step), E to G (ascending minor third), G to C (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to A by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 90 bars · Form: ABACAD

Chords: Am, E/B, Am/B♭, F, C, G, G7, Dm9, A♯maj, A♯, Gm7, C7, Fm7, D7, E7, Gsus4, C/D.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A