Do Re MiC D E

I Got A Woman

Ray Charles-Renald Richard4/4rnb♩= 190

Chord Diagrams — I Got A Woman in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
C♯6
4frEADGBE3333x1
EADGBEx4231x
6frEADGBE111423
9frEADGBE11x324
C♯7/G
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
F♯7/F♯
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
C♯/E
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
C♯/F♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
C♯/G♯
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132

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I Got A Woman in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to C# (ascending unison), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to A (ascending minor third), A to C# (ascending major third), C# to C# (ascending unison), C# to D# (ascending whole step), D# to C# (descending whole step), C# to D (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to C# by half step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

rnb4/4 · 100 bars · Form: ABACD

Chords: C♯, G♯7, F♯7, C♯7, C♯6, C♯7/G, F♯7/F♯, A, C♯/E, C♯/F♯, D♯m7, C♯/G♯, D7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#