Do Re MiC D E

I Got A Woman

Ray Charles-Renald Richard4/4rnb♩= 190

Chord Diagrams — I Got A Woman in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
A♯6
EADGBE3333x1
5frEADGBE2134
6frEADGBE113x24
10frEADGBEx4231x
A♯7/G
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯7/F♯
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
F♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
A♯/E
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
A♯/F♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
A♯/G♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
B7
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
7frEADGBE111132

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I Got A Woman in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to F (descending perfect fourth), F to D# (descending whole step), D# to A# (descending perfect fourth), A# to A# (ascending unison), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to F# (ascending minor third), F# to A# (ascending major third), A# to A# (ascending unison), A# to C (ascending whole step), C to A# (descending whole step), A# to B (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to A# by half step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

rnb4/4 · 100 bars · Form: ABACD

Chords: A♯, F7, D♯7, A♯7, A♯6, A♯7/G, D♯7/F♯, F♯, A♯/E, A♯/F♯, Cm7, A♯/G♯, B7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#