Do Re MiC D E

Fruit Tree

Drake Nick4/4folk-rock♩= 122
B6/F♯
B6/F♯
F♯add9/F♯
F♯add9/F♯
C♯m/G♯
C♯m/G
C♯m7/F♯
C♯m/G♯
C♯m/G
C♯m7/F♯
%
G♯m/B
F♯m/A
Em/G
G♯m/B
F♯m/A
Em/G
C♯m/G♯
C♯m/G
C♯m7/F♯
C♯m/G♯
C♯m/G
C♯m7/F♯
%
A/E
A/E
%
A/E
%
%
G♯m/B
F♯m/A
Em/G
G♯m/B
F♯m/A
Em/G
C♯m/G♯
C♯m/G
C♯m7/F♯
C♯m/G♯
C♯m/G
C♯m7/F♯
%
%
G♯/G♯
%
%
F♯add9/F♯
%
Amaj13
%
%
%
G♯/G♯
%
%
F♯add9/F♯
%
Amaj13
%
%
%
G♯7sus4/A
G♯/A

Chord Diagrams — Fruit Tree in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B6/F♯
EADGBE3333x1
EADGBEx312x
7frEADGBE1x324x
9frEADGBE11xx34
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
F♯add9/F♯
EADGBExx3214
EADGBE31x244
6frEADGBE11x324
8frEADGBEx21x34
F♯add9
EADGBExx3214
EADGBE31x244
6frEADGBE11x324
8frEADGBEx21x34
C♯m
EADGBEx4213x
4frEADGBE111342
6frEADGBE1132x4
9frEADGBE111134
C♯m/G♯
EADGBEx4213x
4frEADGBE111342
6frEADGBE1132x4
9frEADGBE111134
C♯m/G
EADGBEx4213x
4frEADGBE111342
6frEADGBE1132x4
9frEADGBE111134
C♯m7/F♯
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
G♯m/B
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
F♯m/A
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
Em/G
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
C♯sus4
EADGBEx3412x
4frEADGBE111234
6frEADGBE2x1114
9frEADGBE111234
A/E
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
C♯m9
EADGBEx21344
5frEADGBE222x14
7frEADGBEx13244
9frEADGBE111134
G♯/G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
Bm6
EADGBExx2314
EADGBE2314
6frEADGBE2x134x
7frEADGBE111234
Amaj13
4frEADGBE111123
EADGBEx2134
6frEADGBE11x34
9frEADGBE11x423
G♯7sus4/A
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
G♯/A
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432

Explore More

Fruit Tree in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through B to G# (descending minor third), G# to F# (descending whole step), F# to F# (ascending unison), F# to C# (descending perfect fourth), C# to C# (ascending unison), C# to C# (ascending unison), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to E (descending whole step), E to C# (descending minor third), C# to A (descending major third), A to C# (ascending major third), C# to G# (descending perfect fourth), G# to B (ascending minor third), B to A (descending whole step), A to G# (descending half step), G# to G# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to B by minor third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

folk-rock4/4 · 95 bars · Form: ABBAC

Chords: B6/F♯, G♯, F♯add9/F♯, F♯add9, C♯m, C♯m/G♯, C♯m/G, C♯m7/F♯, G♯m/B, F♯m/A, Em/G, C♯sus4, A/E, C♯m9, G♯/G♯, Bm6, Amaj13, G♯7sus4/A, G♯/A.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#