Do Re MiC D E

Fruit Tree

Drake Nick4/4folk-rock♩= 122
G6/F♯
G6/F♯
Dadd9/F♯
Dadd9/F♯
Am/G♯
Am/G
Am7/F♯
Am/G♯
Am/G
Am7/F♯
%
Em/B
Dm/A
Cm/G
Em/B
Dm/A
Cm/G
Am/G♯
Am/G
Am7/F♯
Am/G♯
Am/G
Am7/F♯
%
F/E
F/E
%
F/E
%
%
Em/B
Dm/A
Cm/G
Em/B
Dm/A
Cm/G
Am/G♯
Am/G
Am7/F♯
Am/G♯
Am/G
Am7/F♯
%
%
E/G♯
%
%
Dadd9/F♯
%
Fmaj13
%
%
%
E/G♯
%
%
Dadd9/F♯
%
Fmaj13
%
%
%
E7sus4/A
E/A

Chord Diagrams — Fruit Tree in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G6/F♯
5frEADGBE111x34
EADGBE21
EADGBE2x143x
10frEADGBE3333x1
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
Dadd9/F♯
2frEADGBE11x324
5frEADGBEx1234
7frEADGBExx314
10frEADGBExx3214
Dadd9
2frEADGBE11x324
5frEADGBEx1234
7frEADGBExx314
10frEADGBExx3214
Am
2frEADGBE444x1
EADGBEx231
5frEADGBE111134
7frEADGBEx1342
Am/G♯
2frEADGBE444x1
EADGBEx231
5frEADGBE111134
7frEADGBEx1342
Am/G
2frEADGBE444x1
EADGBEx231
5frEADGBE111134
7frEADGBEx1342
Am7/F♯
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Em/B
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
Dm/A
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
Cm/G
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
Asus4
EADGBEx123
EADGBExx1
5frEADGBE111333
7frEADGBE11x234
F/E
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
Am9
EADGBEx2413
5frEADGBE111134
8frEADGBE132
10frEADGBEx21344
E/G♯
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
Gm6
EADGBE2x1344
3frEADGBE111234
5frEADGBE111x32
8frEADGBE11x324
Fmaj13
EADGBExx213
EADGBE12
5frEADGBE11x423
8frEADGBE11x234
E7sus4/A
EADGBE23
5frEADGBE11x234
7frEADGBE111134
9frEADGBE11xx23
E/A
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234

Explore More

Fruit Tree in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to E (descending minor third), E to D (descending whole step), D to D (ascending unison), D to A (descending perfect fourth), A to A (ascending unison), A to A (ascending unison), A to A (ascending unison), A to E (descending perfect fourth), E to D (descending whole step), D to C (descending whole step), C to A (descending minor third), A to F (descending major third), F to A (ascending major third), A to E (descending perfect fourth), E to G (ascending minor third), G to F (descending whole step), F to E (descending half step), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to G by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

folk-rock4/4 · 95 bars · Form: ABBAC

Chords: G6/F♯, E, Dadd9/F♯, Dadd9, Am, Am/G♯, Am/G, Am7/F♯, Em/B, Dm/A, Cm/G, Asus4, F/E, Am9, E/G♯, Gm6, Fmaj13, E7sus4/A, E/A.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A