Do Re MiC D E

Fifty Ways To Leave Your Lover

Simon Paul4/4folk-rock♩= 99
Bm/G
F♯7♭9♯11
F♯7/F♯
F♯7♯5
F♯7♭9♯11
Bm/G
F♯7♭9♯11
F♯7/F♯
F♯7♯5
F♯7♭9♯11
%
%
%
%
Bm/G
F♯7♭9♯11
F♯7/F♯
F♯7♯5
F♯7♭9♯11
Bm/G
F♯7♭9♯11
F♯7/F♯
F♯7♯5
F♯7♭9♯11
%
%
%
%

Chord Diagrams — Fifty Ways To Leave Your Lover in B (Guitar)

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Fifty Ways To Leave Your Lover in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to A (descending whole step), A to G (descending whole step), G to F# (descending half step), F# to B (ascending perfect fourth), B to A# (descending half step), A# to F# (descending major third), F# to F# (ascending unison), F# to A (ascending minor third), A to E (descending perfect fourth), E to D (descending whole step), D to F (ascending minor third), F to G (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to B by major third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

folk-rock4/4 · 78 bars · Form: AB

Chords: Bm/G, A, Gmaj7, F♯7♭9♯11, Bm, A♯dim, F♯7/F♯, F♯7♯5, A6, Em7, D, F6, G.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B