Do Re MiC D E

Fifty Ways To Leave Your Lover

Simon Paul4/4folk-rock♩= 99
Am/G
E7♭9♯11
E7/F♯
E7♯5
E7♭9♯11
Am/G
E7♭9♯11
E7/F♯
E7♯5
E7♭9♯11
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Am/G
E7♭9♯11
E7/F♯
E7♯5
E7♭9♯11
Am/G
E7♭9♯11
E7/F♯
E7♯5
E7♭9♯11
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%
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Chord Diagrams — Fifty Ways To Leave Your Lover in A (Guitar)

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Fifty Ways To Leave Your Lover in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G (descending whole step), G to F (descending whole step), F to E (descending half step), E to A (ascending perfect fourth), A to G# (descending half step), G# to E (descending major third), E to E (ascending unison), E to G (ascending minor third), G to D (descending perfect fourth), D to C (descending whole step), C to D# (ascending minor third), D# to F (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to A by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

folk-rock4/4 · 78 bars · Form: AB

Chords: Am/G, G, Fmaj7, E7♭9♯11, Am, G♯dim, E7/F♯, E7♯5, G6, Dm7, C, D♯6, F.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A