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Don't You Worry 'Bout A Thing in E
Key of E
E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.
Voice Leading
The bass line moves through E to E (ascending unison), E to E (ascending unison), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to G (descending perfect fourth), G to G (ascending unison), G to B (ascending major third), B to A (descending whole step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to B (ascending major third), B to F (ascending tritone), F to A (ascending major third), A to G (descending whole step), G to F# (descending half step), F# to F# (ascending unison), F# to F (descending half step), F to F (ascending unison), F to E (descending half step), E to E (ascending unison), E to D# (descending half step), D# to D# (ascending unison), D# to D (descending half step), D to D (ascending unison), D to G (ascending perfect fourth), G to F (descending whole step), F to C (descending perfect fourth), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to E by half step.
Scales for Improvisation
E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.