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Don't You Worry 'Bout A Thing

Wonder Stevie4/4pop

Chord Diagrams — Don't You Worry 'Bout A Thing in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cm
5frEADGBE1142xx
EADGBEx3214
3frEADGBE111342
8frEADGBE111134
CmMaj7
3frEADGBE111423
EADGBEx31x
8frEADGBE111132
10frEADGBExx1342
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
Cm6
3frEADGBEx13x24
EADGBE11x324
7frEADGBE2x1334
8frEADGBE111234
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯7sus4
EADGBExx1324
4frEADGBE11x234
6frEADGBE111134
11frEADGBE111134
G♯69
EADGBE111234
EADGBE11111x
5frEADGBExx2134
10frEADGBE11x234
C♯9♯11
EADGBEx213
4frEADGBE111x23
8frEADGBE111234
9frEADGBE111123
G♯maj9
3frEADGBE111243
EADGBE1111x4
4frEADGBE113224
10frEADGBE22143x
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Fmaj9
EADGBExx2314
EADGBE132
7frEADGBEx2143x
10frEADGBE11xx34
A♯7sus4
EADGBE111x34
EADGBE1122xx
6frEADGBE111134
8frEADGBExx1324
D♯69
EADGBExx234
EADGBE1111x2
5frEADGBE11x234
10frEADGBE111234
G7♭13
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
C♯7♯11
EADGBEx213
4frEADGBE111x23
8frEADGBE111234
9frEADGBE111123
Fadd9
EADGBExx3214
3frEADGBExx143
5frEADGBE11x324
7frEADGBEx2134
D♯sus4
EADGBExx1234
6frEADGBE111234
8frEADGBE11xx2x
11frEADGBE111234
Dsus4
EADGBExx123
3frEADGBEx314
5frEADGBE111234
10frEADGBE111234
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
C♯sus4
EADGBEx3412x
4frEADGBE111234
6frEADGBE2x1114
9frEADGBE111234
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
Csus4
EADGBE11x34
3frEADGBE111234
6frEADGBE23x14
8frEADGBE111234
C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
Bsus4
2frEADGBE111234
4frEADGBE11xx24
7frEADGBE111234
9frEADGBE1144x3
B
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
A♯sus4
EADGBE11x234
3frEADGBE11xx24
6frEADGBE111333
8frEADGBE11x234
A♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
D♯add9
3frEADGBE11x324
5frEADGBEx2134
10frEADGBE31x24x
11frEADGBExx3214
C♯maj9
3frEADGBEx2143x
EADGBE1111x4
8frEADGBE111243
10frEADGBExx2143
G♯6
3frEADGBE2x143x
EADGBE1111x3
6frEADGBE111x34
9frEADGBEx4231x
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132

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Don't You Worry 'Bout A Thing in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to C (ascending unison), C to C (ascending unison), C to C (ascending unison), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to D# (descending perfect fourth), D# to D# (ascending unison), D# to G (ascending major third), G to F (descending whole step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G (ascending major third), G to C# (ascending tritone), C# to F (ascending major third), F to D# (descending whole step), D# to D (descending half step), D to D (ascending unison), D to C# (descending half step), C# to C# (ascending unison), C# to C (descending half step), C to C (ascending unison), C to B (descending half step), B to B (ascending unison), B to A# (descending half step), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to C by half step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 100 bars · Form: ABABCDB

Chords: Cm, CmMaj7, Cm7, Cm6, F7, A♯m7, D♯7sus4, G♯69, C♯9♯11, G♯maj9, D♯, D♯7, Gm7, Fmaj9, A♯7sus4, D♯69, G7♭13, C♯7♯11, Fadd9, D♯sus4, Dsus4, D, C♯sus4, C♯, Csus4, C, Bsus4, B, A♯sus4, A♯, D♯add9, C♯maj9, G♯6, C♯7.

Scales for Improvisation C bebop minor, C bebop.

Diatonic chords: See all chords in the key of C