Do Re MiC D E

Blue

Mitchell Joni4/4ballad♩= 78
C♯7sus4
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F♯7sus4
F♯7sus4
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F♯/A
%
C♯7sus4
%
F♯7sus4
F♯7sus4
%
F♯7sus4
%
%
%
C♯7sus4
%
F♯7sus4
%
%
C♯7sus4
%
F♯7sus4
F♯7sus4
F♯m11
%
F♯7sus4
%
%

Chord Diagrams — Blue in C# (Guitar)

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Blue in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to C# (ascending unison), C# to A (descending major third), A to F# (descending minor third), F# to F# (ascending unison), F# to F# (ascending unison), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to G# (ascending unison), G# to G# (ascending unison), G# to B (ascending minor third), B to F# (descending perfect fourth), F# to F# (ascending unison), F# to C# (descending perfect fourth). The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from C# to C# by unison.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 57 bars · Form: ABCA

Chords: C♯m, C♯7sus4, Amaj7, F♯7sus4, F♯m, F♯7, F♯/A, Bsus4, G♯m9, G♯mMaj7, G♯m7, B6, F♯m11, F♯m9, C♯7.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#