Do Re MiC D E

Blue

Mitchell Joni4/4ballad♩= 78
A♯7sus4
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D♯7sus4
D♯7sus4
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D♯/A
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A♯7sus4
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D♯7sus4
D♯7sus4
%
D♯7sus4
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%
%
A♯7sus4
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D♯7sus4
%
%
A♯7sus4
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D♯7sus4
D♯7sus4
D♯m11
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D♯7sus4
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Chord Diagrams — Blue in A# (Guitar)

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Blue in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to F# (descending major third), F# to D# (descending minor third), D# to D# (ascending unison), D# to D# (ascending unison), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to F (ascending unison), F to F (ascending unison), F to G# (ascending minor third), G# to D# (descending perfect fourth), D# to D# (ascending unison), D# to A# (descending perfect fourth). The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 57 bars · Form: ABCA

Chords: A♯m, A♯7sus4, F♯maj7, D♯7sus4, D♯m, D♯7, D♯/A, G♯sus4, Fm9, FmMaj7, Fm7, G♯6, D♯m11, D♯m9, A♯7.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#