Dom De Iludir in C

Caetano Veloso(1987)samba cancaoSamba Cancão ♩=110
Do Re MiC D E
A
B
G13♭9
Cmaj9
Cmaj9
E7sus
F13
F7♭9♯5
Bmaj9
B69
B9sus
B7♭9♯5
Emaj9
G7♭9♯5
Cmaj9
A♯13
A7♭9♯5
D13
D9♭13
G13sus

Chord Diagrams — Dom De Iludir in C (Guitar)

Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
G13♭9
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
Cmaj9
EADGBEx3
EADGBE22214x5frEADGBE111138frEADGBE11x234
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
E7sus
E - A - B - D
G♯maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
F7♭9♯5
F - A - C♯ - E♭ - G♭
A♯m9
2frEADGBExx2413
4frEADGBE113x246frEADGBE11113411frEADGBEx2134x
C♯m9
EADGBE2222x1
5frEADGBE222x147frEADGBE333x129frEADGBE111134
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
Bmaj9
EADGBE22214x
4frEADGBE11xx346frEADGBE11243x8frEADGBExx2143
B69
EADGBE11x234
6frEADGBE1112348frEADGBE2222x111frEADGBE11x432
B9sus
EADGBEx123
2frEADGBE1111344frEADGBE1122xx7frEADGBE111134
B7♭9♯5
B - D♯ - G - A - C
Emaj9
EADGBE3124
EADGBE1112346frEADGBEx2143x9frEADGBE11xx34
G7♭9♯5
G - B - D♯ - F - A♭
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
A7♭9♯5
A - C♯ - F - G - B♭
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
D9♭13
D - F♯ - C - E - B♭
G13sus
G - C - D - F - A - E
G7♭9
EADGBE11324
EADGBE111x234frEADGBE11xx239frEADGBE11x234

Dom De Iludir in C

Dom De Iludir in C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to A# (descending whole step), A# to E (ascending tritone), E to G# (ascending major third), G# to F (descending minor third), F to F (ascending unison), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to B (ascending unison), B to B (ascending unison), B to E (ascending perfect fourth), E to G (ascending minor third), G to A# (ascending minor third), A# to A (descending half step), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to G (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to D by perfect fourth.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba cancao4/4 · 26 bars · Form: AB

Chords: Dm9, G13♭9, Cmaj9, A♯m7, E7sus, G♯maj7, F13, F7♭9♯5, A♯m9, C♯m9, F♯9, Bmaj9, B69, B9sus, B7♭9♯5, Emaj9, G7♭9♯5, A♯13, A7♭9♯5, D13, D9♭13, G13sus, G7♭9.

Scales for Improvisation C bebop, C bebop major.