Dom De Iludir in A

Caetano Veloso(1987)samba cancaoSamba Cancão ♩=110
Do Re MiC D E
A
B
E13♭9
Amaj9
Amaj9
C♯7sus
D13
D7♭9♯5
G♯maj9
G♯69
G♯9sus
G♯7♭9♯5
C♯maj9
E7♭9♯5
Amaj9
G13
F♯7♭9♯5
B13
B9♭13
E13sus

Chord Diagrams — Dom De Iludir in A (Guitar)

Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
E13♭9
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
Amaj9
EADGBE11x34
4frEADGBE112435frEADGBEx231411frEADGBE22214x
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
C♯7sus
C♯ - F♯ - G♯ - B
Fmaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
D7♭9♯5
D - F♯ - A♯ - C - E♭
Gm9
EADGBE2341
3frEADGBE1111346frEADGBE11xx28frEADGBE2222x1
A♯m9
2frEADGBExx2413
4frEADGBE113x246frEADGBE11113411frEADGBEx2134x
D♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324
G♯maj9
EADGBE1111x4
3frEADGBE1112434frEADGBE11322410frEADGBE22214x
G♯69
EADGBE11111x
EADGBE1112345frEADGBExx213410frEADGBE11x234
G♯9sus
EADGBE1122xx
4frEADGBE1111349frEADGBE11x23411frEADGBE111134
G♯7♭9♯5
G♯ - C - E - F♯ - A
C♯maj9
EADGBE1111x4
3frEADGBEx2143x8frEADGBE11124310frEADGBExx2143
E7♭9♯5
E - G♯ - C - D - F
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
F♯7♭9♯5
F♯ - A♯ - D - E - G
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
B9♭13
B - D♯ - A - C♯ - G
E13sus
E - A - B - D - F♯ - C♯
E7♭9
EADGBE312
4frEADGBE11346frEADGBE11x23410frEADGBE3241xx

Dom De Iludir in A

Dom De Iludir in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to G (descending whole step), G to C# (ascending tritone), C# to F (ascending major third), F to D (descending minor third), D to D (ascending unison), D to G (ascending perfect fourth), G to A# (ascending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to G# (ascending unison), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to G (ascending minor third), G to F# (descending half step), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to B by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba cancao4/4 · 26 bars · Form: AB

Chords: Bm9, E13♭9, Amaj9, Gm7, C♯7sus, Fmaj7, D13, D7♭9♯5, Gm9, A♯m9, D♯9, G♯maj9, G♯69, G♯9sus, G♯7♭9♯5, C♯maj9, E7♭9♯5, G13, F♯7♭9♯5, B13, B9♭13, E13sus, E7♭9.

Scales for Improvisation A bebop, A bebop major.