Dime Tú Que Lo Sabes in C

Candido Fabré(1993)guaguancoGuaguancó
Do Re MiC D E
Clave 3-2
I
n
t
r
o
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A
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B
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C
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P
e
r
c
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C
o
d
a
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D
Cmaj9
Cmaj9
Fmaj7♯5
A♯13♯11
F♯13♯11
Cmaj9
F♯13♯11
Fmaj9
Fmaj9
A7♯9♭5
F♯5
G13sus
G♯13
G13sus
G13sus
G♯13
G13sus
Fmaj7♯5
A♯13♯11

Chord Diagrams — Dime Tú Que Lo Sabes in C (Guitar)

Dime Tú Que Lo Sabes in C

Dime Tú Que Lo Sabes in C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to F# (descending perfect fourth), F# to C# (descending perfect fourth), C# to A# (descending minor third), A# to B (ascending half step), B to D (ascending minor third), D to C (descending whole step), C to E (ascending major third), E to A (ascending perfect fourth), A to F (descending major third), F to A# (ascending perfect fourth), A# to D (ascending major third), D to F# (ascending major third), F# to F (descending half step), F to E (descending half step), E to A# (ascending tritone), A# to B (ascending half step), B to A (descending whole step), A to F# (descending minor third), F# to F (descending half step), F to F# (ascending half step), F# to G (ascending half step), G to E (descending minor third), E to G# (ascending major third), G# to G (descending half step), G to C (ascending perfect fourth), C to D (ascending whole step), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to B by major third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

guaguanco4/4 · 35 bars · Form: Intro-A-B-C-Perc-Coda-D

Chords: B, F♯, C♯, A♯m, Bsus, D, Cmaj9, E7♯9, Am7, Fmaj7♯5, A♯13♯11, Dm9, F♯13♯11, Fmaj9, Em7, A♯, B5, A7♯9♭5, F♯m7♭5, F, F♯5, G13sus, E7♭9, G♯13, G7alt, Cmaj7, Dm7, G7.

Scales for Improvisation C bebop, C bebop major.