Dime Tú Que Lo Sabes in A

Candido Fabré(1993)guaguancoGuaguancó
Do Re MiC D E
Clave 3-2
I
n
t
r
o
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A
-
B
-
C
-
P
e
r
c
-
C
o
d
a
-
D
Amaj9
Amaj9
Dmaj7♯5
G13♯11
D♯13♯11
Amaj9
D♯13♯11
Dmaj9
Dmaj9
G♯5
F♯7♯9♭5
D♯5
E13sus
E13sus
E13sus
E13sus

Chord Diagrams — Dime Tú Que Lo Sabes in A (Guitar)

Dime Tú Que Lo Sabes in A

Dime Tú Que Lo Sabes in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G# to D# (descending perfect fourth), D# to A# (descending perfect fourth), A# to G (descending minor third), G to G# (ascending half step), G# to B (ascending minor third), B to A (descending whole step), A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to D (descending major third), D to G (ascending perfect fourth), G to B (ascending major third), B to D# (ascending major third), D# to D (descending half step), D to C# (descending half step), C# to G (ascending tritone), G to G# (ascending half step), G# to F# (descending whole step), F# to D# (descending minor third), D# to D (descending half step), D to D# (ascending half step), D# to E (ascending half step), E to C# (descending minor third), C# to F (ascending major third), F to E (descending half step), E to A (ascending perfect fourth), A to B (ascending whole step), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to G# by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

guaguanco4/4 · 35 bars · Form: Intro-A-B-C-Perc-Coda-D

Chords: G♯, D♯, A♯, Gm, G♯sus, B, Amaj9, C♯7♯9, F♯m7, Dmaj7♯5, G13♯11, Bm9, D♯13♯11, Dmaj9, C♯m7, G, G♯5, F♯7♯9♭5, D♯m7♭5, D, D♯5, E13sus, C♯7♭9, F13, E7alt, Amaj7, Bm7, E7.

Scales for Improvisation A bebop, A bebop major.