Déjala Que Baile Sola in C

Juan Almeida(1989)salsaGuaracha/Guaguancó
Do Re MiC D E
Clave 3-2
I
n
t
r
o
-
G
u
a
g
u
a
n
c
ó
-
A
-
B
-
C
-
D
Cm69
Dm11
G7♯9♯5
G♯13
G7♯9♯5
Variation

Chord Diagrams — Déjala Que Baile Sola in C (Guitar)

Cm69
EADGBE333x12
3frEADGBEx1246frEADGBE4123xx8frEADGBE2222x1
D♯m9
4frEADGBE2222x1
7frEADGBExx24139frEADGBE333x1211frEADGBE111134
Dm11
EADGBE11xx
3frEADGBE11x2348frEADGBE11134210frEADGBE111114
G7♯9♯5
G - B - D♯ - F - A♯
Cm
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213

Déjala Que Baile Sola in C

Déjala Que Baile Sola in C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to D# (ascending minor third), D# to D (descending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to G# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to C by major third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

salsa4/4 · 15 bars · Form: Intro-Guaguancó-A-B-C-D

Chords: Cm69, D♯m9, Dm11, G7♯9♯5, Cm, Fm7, A♯7, G♯13.

Scales for Improvisation C bebop minor, C bebop.