Déjala Que Baile Sola in A

Juan Almeida(1989)salsaGuaracha/Guaguancó
Do Re MiC D E
Clave 3-2
I
n
t
r
o
-
G
u
a
g
u
a
n
c
ó
-
A
-
B
-
C
-
D
Am69
Bm11
E7♯9♯5
F13
E7♯9♯5
Variation

Chord Diagrams — Déjala Que Baile Sola in A (Guitar)

Am69
4frEADGBEx24
5frEADGBE1122227frEADGBE1112310frEADGBE333x12
Cm9
EADGBE2222x1
EADGBEx12436frEADGBE333x128frEADGBE111134
Bm11
EADGBEx123
5frEADGBE1113427frEADGBE1111149frEADGBE1122xx
E7♯9♯5
E - G♯ - C - D - G
Am
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134

Déjala Que Baile Sola in A

Déjala Que Baile Sola in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to C (ascending minor third), C to B (descending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to F (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

salsa4/4 · 15 bars · Form: Intro-Guaguancó-A-B-C-D

Chords: Am69, Cm9, Bm11, E7♯9♯5, Am, Dm7, G7, F13.

Scales for Improvisation A bebop minor, A bebop.