Coisa Feita in E

João Bosco(1982)partido altoPartido Alto ♩=118
Do Re MiC D E
A
B
C
D
E
G69
C69
F13
Em11
D13
Gmaj13
Gmaj13
G9♯5
Em11
D13
D13♭9
Em11
D13
D13♭9
Gmaj9
A9♯11
A9♯11
D13
G♯7♯9♭5
G13
G13
D13
C69
F13
Em11
D13
Gmaj13
B13♭9

Chord Diagrams — Coisa Feita in E (Guitar)

G69
EADGBE1
EADGBE1112344frEADGBE2222x19frEADGBE11x234
C69
EADGBE11x334
3frEADGBEx1347frEADGBE1112349frEADGBE2222x1
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
Em11
EADGBE1
3frEADGBE3215frEADGBE11x23410frEADGBE111342
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
Am9
EADGBEx2413
5frEADGBE1111348frEADGBE13210frEADGBE2222x1
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
Gmaj13
EADGBE111133
3frEADGBE1112347frEADGBE11x42310frEADGBE11x234
G9♯5
EADGBE321
EADGBE21314x9frEADGBE222x1412frEADGBEx1324
D13♭9
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
Cm6
EADGBE11x324
3frEADGBEx13x247frEADGBE2222x18frEADGBE111234
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
Gmaj9
EADGBE21
EADGBE1112433frEADGBExx23149frEADGBEx2143x
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
A9♯11
EADGBEx13
4frEADGBE1112347frEADGBExx123411frEADGBE11x234
G♯7♯9♭5
G♯ - C - D♯ - F♯ - B - D
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
Am
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
B13♭9
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234

Coisa Feita in E

Coisa Feita in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to E (descending half step), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to G (ascending unison), G to D (descending perfect fourth), D to C (descending whole step), C to G# (descending major third), G# to G (descending half step), G to G (ascending unison), G to A# (ascending minor third), A# to A (descending half step), A to G# (descending half step), G# to G (descending half step), G to A (ascending whole step), A to E (descending perfect fourth), E to D# (descending half step), D# to B (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to G by major third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

partido alto4/4 · 43 bars · Form: ABCDE

Chords: G69, C69, F13, Em11, A9, Am9, D13, Dm9, Gmaj13, G9♯5, D13♭9, Cm6, G♯, Gmaj9, Gm7, A♯7, A9♯11, G♯7♯9♭5, G13, Am, E, D♯, B13♭9.

Scales for Improvisation E bebop minor, E bebop.