Coisa Feita in A

João Bosco(1982)partido altoPartido Alto ♩=118
Do Re MiC D E
A
B
C
D
E
C69
F69
A♯13
Am11
G13
Cmaj13
Cmaj13
C9♯5
Am11
G13
G13♭9
Am11
G13
G13♭9
Cmaj9
D9♯11
D9♯11
G13
C♯7♯9♭5
C13
C13
G13
F69
A♯13
Am11
G13
Cmaj13
E13♭9

Chord Diagrams — Coisa Feita in A (Guitar)

C69
EADGBE11x334
3frEADGBEx1347frEADGBE1112349frEADGBE2222x1
F69
EADGBE123
EADGBExx21345frEADGBE1111x27frEADGBE11x234
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
Am11
EADGBEx1
3frEADGBE1113425frEADGBE11111410frEADGBE11x234
D9
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
Gm9
EADGBE2341
3frEADGBE1111346frEADGBE11xx28frEADGBE2222x1
Cmaj13
EADGBEx4231
3frEADGBE11x2347frEADGBE1111238frEADGBE111234
C9♯5
EADGBE222x14
3frEADGBEx12435frEADGBE1112347frEADGBE11234x
G13♭9
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
Fm6
EADGBE1x234
3frEADGBE11xx326frEADGBE11x3249frEADGBExx2314
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
Cmaj9
EADGBEx3
EADGBE22214x5frEADGBE111138frEADGBE11x234
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
D9♯11
EADGBExx123
4frEADGBE11x2347frEADGBEx31429frEADGBE111234
C♯7♯9♭5
C♯ - F - G♯ - B - E - G
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
Dm
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
E13♭9
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134

Coisa Feita in A

Coisa Feita in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A (descending half step), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to C (ascending unison), C to G (descending perfect fourth), G to F (descending whole step), F to C# (descending major third), C# to C (descending half step), C to C (ascending unison), C to D# (ascending minor third), D# to D (descending half step), D to C# (descending half step), C# to C (descending half step), C to D (ascending whole step), D to A (descending perfect fourth), A to G# (descending half step), G# to E (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to C by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

partido alto4/4 · 43 bars · Form: ABCDE

Chords: C69, F69, A♯13, Am11, D9, Dm9, G13, Gm9, Cmaj13, C9♯5, G13♭9, Fm6, C♯, Cmaj9, Cm7, D♯7, D9♯11, C♯7♯9♭5, C13, Dm, A, G♯, E13♭9.

Scales for Improvisation A bebop minor, A bebop.