Club Morocco in G

Jose Roberto Bertrami, Alex Malheiros, as played by Azymuth(1982)sambaFast Funky Samba (Reverse Partido Alto)
Do Re MiC D E
A
-
B
-
C
-
C
o
d
a
C9♯11
C9♯11
Bmaj9
Gm69
Dmaj9
C♯13♯11
C9♯11
C9♯11
Bm11
Gm69
C9♯11
Bmaj9
Dmaj9
Dmaj9
Dmaj9
Cmaj9
F♯7♯9♯5
E7♯9♯5
Gm69
Dmaj9
C♯13♯11
C9♯11
C9♯11
Bm11
Gm69
C9♯11
Bmaj9
Gm69
Dmaj9
C♯13♯11
C9♯11
C9♯11
Bm11
Gm69
C9♯11
Bmaj9

Chord Diagrams — Club Morocco in G (Guitar)

C9♯11
EADGBE11x234
3frEADGBE111x237frEADGBE11123410frEADGBExx1234
Bmaj9
EADGBE22214x
4frEADGBE11xx346frEADGBE11243x8frEADGBExx2143
Gm69
EADGBE3124
3frEADGBE2222x15frEADGBE1111238frEADGBE333x12
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x7frEADGBEx231410frEADGBE11x234
C♯13♯11
C♯ - F - G♯ - B - D♯ - G - A♯
Bm11
EADGBEx123
5frEADGBE1113427frEADGBE1111149frEADGBE1122xx
Em9
EADGBE24
EADGBE12435frEADGBE2222x110frEADGBE11324
A9sus
EADGBEx23
5frEADGBE1111347frEADGBEx132410frEADGBE11x234
A7♭9
EADGBE11x23
5frEADGBE1114236frEADGBE11xx2311frEADGBE11x234
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
C♯maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
Cmaj9
EADGBEx3
EADGBE22214x5frEADGBE111138frEADGBE11x234
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯7♯9♯5
F♯ - A♯ - D - E - A
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
E7♯9♯5
E - G♯ - C - D - G

Club Morocco in G

Club Morocco in G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to B (descending half step), B to G (descending major third), G to D (descending perfect fourth), D to D (ascending unison), D to C# (descending half step), C# to B (descending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to D# (ascending tritone), D# to D (descending half step), D to C# (descending half step), C# to C (descending half step), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to C by major third.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 38 bars · Form: A-B-C-Coda

Chords: C9♯11, Bmaj9, Gm69, D, Dmaj9, C♯13♯11, Bm11, Em9, A9sus, A7♭9, D♯, Dm9, C♯maj7, Cmaj9, C♯m7, F♯7♯9♯5, Bm7♭5, E7♯9♯5.

Scales for Improvisation G bebop minor, G bebop.